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A life in art oral history transcript, 1995 : Henry T. Hopkins Titelvorschau
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A life in art oral history transcript, 1995 : Henry T. Hopkins

Verfasser/in: Henry Hopkins; Joanne L Ratner; University of California, Los Angeles. Oral History Program.
Verlag: [Los Angeles] : Oral History Program, University of California, Los Angeles, ©1998.
Ausgabe/Format   Buch : Biografie : Manuskript   Archivarische Materialien : Englisch
Veröffentichung:Oral History collection, Dept. of Special Collections, University Library, University of California, Los Angeles.
Datenbank:WorldCat
Zusammenfassung:
The interview begins with Hopkins's early art training and continues through his positions at the Los Angeles County Museum of Art, Fort Worth Art Museum, San Francisco Museum of Modern Art, and UCLA at the Armand Hammer Museum of Art and Cultural Center. Major topics include curatorial and directorial responsibilities, the evolution of the Southern California art community, and key personalities in art and arts  Weiterlesen…
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Gattung/Form: Oral histories
Interviews
Name: Henry Hopkins; Richard F Brown; James Heyer Elliott; Walter Hopps; Robert Irwin; Robert Rauschenberg; Clyfford Still; Frederick R Weisman
Medientyp: Biografie, Manuskript
Dokumenttyp: Buch, Archivarische Materialien
Alle Autoren: Henry Hopkins; Joanne L Ratner; University of California, Los Angeles. Oral History Program.
OCLC-Nummer: 41570203
Anmerkungen: Transcript of a 20.1-hour interview completed under the auspices of the UCLA Oral History Program.
Beschreibung: 2 volumes (xiv, 856 leaves, bound) : portraits ; 28 cm
Verfasserangabe: interviewed by Joanne L. Ratner.

Abstract:

The interview begins with Hopkins's early art training and continues through his positions at the Los Angeles County Museum of Art, Fort Worth Art Museum, San Francisco Museum of Modern Art, and UCLA at the Armand Hammer Museum of Art and Cultural Center. Major topics include curatorial and directorial responsibilities, the evolution of the Southern California art community, and key personalities in art and arts administration from the time of Hopkins's arrival in Los Angeles in the late 1950s through the present.

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