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Listening through the noise : the aesthetics of experimental electronic music

Author: Joanna Teresa Demers
Publisher: Oxford ; New York : Oxford University Press, 2010.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Contemporary electronic music has splintered into a dizzying assortment of genres & subgenres, communities & subcultures. Given the ideological differences among academic, popular & avant-garde electronic musicians, is it possible to derive an aesthetic theory that accounts for this variety?
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Demers, Joanna Teresa, 1975-
Listening through the noise.
Oxford ; New York : Oxford University Press, 2010
(DLC) 2009036518
(OCoLC)435918247
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Joanna Teresa Demers
ISBN: 9780199774487 019977448X 9780195387667 019538766X 9780195387650 0195387651
OCLC Number: 649473802
Description: 1 online resource (201 pages)
Contents: Sign. Listening to signs in post-Schaefferian electroacoustic music ; Material as sign in electronica --
Object. Minimal objects in microsound ; Maximal objects in drone music, dub techno, and noise --
Situation. Site in ambient, soundscape, and field recordings ; Genre, experimentalism, and the musical frame.
Responsibility: Joanna Demers.

Abstract:

Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.  Read more...

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a thought-provoking and significant contribution to our understanding of the aesthetics of electronic music. * Peter Manning, Music and Letters *

 
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