Find a copy online
Links to this item
Find a copy in the library
Finding libraries that hold this item...
|Genre/Form:||Criticism, interpretation, etc|
|Material Type:||Government publication, State or province government publication, Internet resource|
|Document Type:||Book, Internet Resource|
|All Authors / Contributors:||
Barbara Tepa Lupack
|Description:||xix, 558 pages : illustrations ; 24 cm|
|Contents:||The birth of defamation: Uncle Tom's Cabin and the beginnings of Black --
"A credit to the race": Oscar Micheaux and early race filmmaking --
"We'll teach him fear": racial representation in sound films of the 1930s and 1940s --
Uncle Tom meets Uncle Sam: wartime developments and postwar progress --
From Eisenhower to Black power: radicalizing the Black hero --
"Tell them I'm a man": popularizing Black history --
History to herstory: new voices for a new century.
|Responsibility:||Barbara Tepa Lupack.|
"An historical examination of the practice of such adaptation offers telling insights into the portrayal - and progress - of blacks in American movies and culture. It reveals that while blacks, on screen and behind the scenes, were often forced to re-create the demeaning film stereotypes, they learned how to subvert and exploit the artificiality of their caricatures. It also reveals the ways that black filmmakers, beginning with Micheaux, Noble and George Johnson, and their less prominent colleagues like Emmett Scott, worked within the conventions of cinema and society yet managed to produce films that were, at their best, unconventional and pioneering.
It demonstrates that as far back as the 1920s and 1930s, black authors like Paul Laurence Dunbar and Langston Hughes already recognized the need for involvement with film production in order to create pictures that were more representative of black life. It illustrates the fact that, in recent years, as more black voices found their way to the screen, among the strongest were the voices of women. And above all, it confirms that within the rich tradition of black literature of all genres lie many exciting cinematic possibilities for audiences of all colors."--Jacket.
- African Americans in motion pictures.
- American fiction -- African American authors -- History and criticism.
- African Americans -- Intellectual life -- 20th century.
- Film adaptations -- History and criticism.
- Noirs américains au cinéma.
- Roman américain -- Auteurs noirs américains -- Histoire et critique.
- Adaptations cinématographiques -- Histoire et critique.
- African Americans -- Intellectual life.
- American fiction -- African American authors.
- Film adaptations.
- Adaptations cinématographiques - Histoire et critique.
- Roman américain - Auteurs noirs américains - Histoire et critique.