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Literary modernism and photography

Author: Paul Hansom
Publisher: Westport, Conn. : Praeger, 2002.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Considers the complex links between narrative form and photographic representation in the Anglo-American modernist period.

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Genre/Form: Aufsatzsammlung
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Paul Hansom
ISBN: 0275971309 9780275971304
OCLC Number: 49327048
Description: xvii, 278 pages : illustrations ; 25 cm
Contents: City of fiction, city of fact: the intersection of literary and sociological discourses / Luca Prono --
The limits of modernism: Walker Evans and James Agee's Let us now praise famous men / Mark Durden --
Focus left: modernist angst and the proletarian camera / Janet Galligani Casey --
You have seen their faces, of course: the American South as modernist space / Paul Hansom --
Counterpoints of view: the American photo-text, 1935-1948 / Nancy M. Shawcross --
Vanessa Bell's photographs: modernism, the maternal, and the erotic / Maggie Humm --
The daybooks of Edward Weston: when words do not fail / Céline Choï --
The image in crisis: postromantic affairs and the sublimation of commodity culture in Alfred Stieglitz and William Carlos Williams / Tom Lavazzi. Looking for shelter: [re]covering the subject in [an other] art / Vincent Hausmann --
Vision and inversion in Nightwood / Jean Gallagher --
Progress begets nostalgia: Jim Burden's conflicted vision in My Ántonia / Laura Barrett --
The "photographic fix": imaging the modern/postmodern sensibilities / Nicholas Zurbrugg --
"Cell" my last words everywhere: filmic fiction in Leni Riefenstahl, Jean Genet, and William S. Burroughs / Davis Schneiderman --
Picturing the end of modernism?: the Los Angeles Documentary Project, The nowhere city, and "the Aleph" / Mark Rice.
Responsibility: edited by Paul Hansom.
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"Although literary modernism is famously associated with probing interiority while photography is two dimensional, the two moved into prominence concurrently, intersecting in ways that these essays Read more...

 
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