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Live-Electronic Music.

Author: Friedemann Sallis
Publisher: London : Taylor and Francis, 2017.
Series: Routledge Research in Music
Edition/Format:   eBook : Document : English
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Friedemann Sallis
ISBN: 131769211X 9781317692119
OCLC Number: 1012849092
Description: 1 online resource (340 pages) : illustrations.
Contents: Introduction Friedemann Sallis, Valentina Bertolani, Jan Burle and Laura Zattra Part I: Composition 1. Dwelling in a field of sonic relationships: `instrument' and `listening' in an ecosystemic view of live electronics performance Agostino Di Scipio 2. (The) speaking of characters, musically speaking Chris Chafe 3. Collaborating on composition: the role of the musical assistant at IRCAM, CCRMA and CSCLaura Zattra Part II: Performance 4. Alvise Vidolin interviewed by Laura Zattra: the role of the computer music designers in composition and performance Laura Zattra 5. Instrumentalists on solo works with live electronics: towards a contemporary form of chamber music? Francois-Xavier Feron and Guillaume Boutard 6. Approaches to notation in music for piano and live electronics: the performer's perspective Xenia Pestova 7. Encounterpoint: the ungainly instrument as co-performer John Granzow 8. Robotic musicianship in live improvisation involving humans and machines George Tzanetakis Part III: Study 9. Authorship and performance tradition in the age of technology: (with examples from the performance history of works by Luigi Nono, Luciano Berio and Karlheinz Stockhausen)Angela Ida De Benedictis 10. (Absent) authors, texts and technologies: ethnographic pathways and compositional practices Nicola Scaldaferri 11. Computer-supported analysis of religious chant Daniel Peter Biro and George Tzanetakis 12. Fixing the fugitive: a case study in spectral transcription of Luigi Nono's A Pierre. Dell'azzurro silenzio, inquietum. A piu cori for contrabass flute in G, contrabass clarinet in B flat and live electronics (1985) Jan Burle 13. A spectral examination of Luigi Nono's A Pierre. Dell'azzurro silenzio, inquietum (1985) Friedemann Sallis 14. Experiencing music as strong works or as games: the examination of learning processes in the production and reception of live electronic music Vincent Tiffon
Series Title: Routledge Research in Music

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