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Looking for Bruce Conner

Auteur : Kevin Hatch; Bruce Conner
Éditeur: Cambridge, Mass. : MIT Press, ©2012.
Collection: October (Cambridge, Mass.)
Édition/format:   Livre imprimé : AnglaisVoir toutes les éditions et tous les formats
Résumé:
"In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933--2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes  Lire la suite...
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Détails

Genre/forme: Criticism, interpretation, etc
Personne nommée: Bruce Conner; Bruce Conner
Type de document: Livre
Tous les auteurs / collaborateurs: Kevin Hatch; Bruce Conner
ISBN: 9780262016810 0262016818 9780262528894 0262528894
Numéro OCLC: 726151355
Description: xi, 342 pages : illustrations (some color) ; 24 cm.
Contenu: Introduction: A tomfool in the Emerald City --
"It has to do with the theater" --
Cinema memoria --
Really looking --
Burning bright.
Titre de collection: October (Cambridge, Mass.)
Responsabilité: Kevin Hatch.

Résumé:

"In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933--2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry, punk music, and underground film circles, he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his 'retirement.' In this first book-length study of Conner's enormously influential but insufficiently understood career, Kevin Hatch explores Conner's work as well as his position on the geographical, cultural, and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work, reflecting a struggle between private, unknowable, interior experience and a duplicitous world of received images and false appearances. The profane and the sacred, the comic and the tragic, the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work..."--Publisher's description.

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Synopsis de l’éditeur

"Kevin Hatch's study is an overdue corrective to the near absence of Bruce Conner from the major chronicles of contemporary art. The book captures the singularity of each aspect of the artist's Lire la suite...

 
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