• 引证/输出
  引证/输出

  复制引证文献

  APA（第6版）

  

  芝加哥（著者-日期，第15版）

  

  Harvard（第18版）

  

  MLA（第7版）

  

  Turabian（第6版）

  

  输出引证文献

  输出到RefWorks   输出到EndNote / 参考管理（Reference Manager）   输出到EasyBib   删除

  请注意： 这些引证文献都以参考咨询的标準為基础。但是，处理格式的规则，在应用程序、感兴趣或研究的领域之间会大相径庭。应当考虑到负责復审的出版商、上课的教师、机构或者组织的具体要求或者优先选择。
• 打印
• 电子邮件
  电子邮件

  所有的字段都要。

  电邮地址字段是一定要有的。请输入收件人的电子邮件地址。

  输入的电邮地址格式不对。请重新输入收件人的电邮地址。

  最多可将资料送给五个收件人。

  输入收件人的电子邮件地址： 最多能用逗号（,）将五个地址分开

  名字的字段是一定要有的。请输入您的名字。

  输入你的名字： 主题的字段是一定要有的。请输入主题。 主题:

  电子邮件讯息的字段是一定要有的。请输入讯息。

  电子邮件： 我想你可能会对这资料感兴趣，资料位于 http://www.worldcat.org/oclc/36446851 题名： The lost museum : the Nazi conspiracy to steal the world's greatest works of art 著者： Hector Feliciano 出版商： New York : BasicBooks, ©1997. ISBN/ISSN: 0465041949 9780465041947 0465041914 9780465041916 OCLC:36446851

  
  

  输入的ReCaptcha词条不对。要设法和显示在窗口中的那两个字一样，也可试用音频版。

  删除
• 共享
• 永久链接
  永久链接

  复制URL以便和网页链接：

• 撰写评论
• 评估这资料：
• • 1
  • 2
  • 3
  • 4
  • 5

更多类似这样的

主题

• Art thefts -- France -- History -- 20th century.
• Germany -- Cultural policy.
• World War, -- 1939-1945 -- Art and the war.
• 查看所有主题

用户列表

相似资料

The lost museum : the Nazi conspiracy to steal the world's greatest works of art

著者：	Hector Feliciano
出版商：	New York : BasicBooks, ©1997.
版本/格式：	图书 : 英语 : 1st ed查看所有的版本和格式
提要：	Between 1939 and 1944, as the Nazis overran Europe, they were also quietly conducting another type of pillage. The Lost Museum tells the story of the Jewish art collectors and gallery owners in France who were stripped of rare works by artists such as Vermeer, Rembrandt, Degas, Cezanne, and Picasso. Week after week, thousands of crates of this art streamed from Paris into Germany, many stamped with a swastika and the words "Property of the Third Reich.". Before they were through, the Nazis had taken more than 20,000 paintings, sculptures, and drawings from France. The pieces were cataloged, photographed, and shipped to Germany, often with the help of moving companies and friends and servants of the families themselves. The premium cultural spoils of war were destined for the museum of European art that Hitler planned to create in Austria, as well as for the private collections of Hitler, Goering, and other Nazi dignitaries. Looted Entartete Kunst - modern artworks - were sold into France and Switzerland's flourishing wartime art market. The Lost Museum explores the Nazis' systematic confiscation of these artworks, focusing on the private collections of five families: Rothschild, Rosenberg, Bernheim-Jeune, David-Weill, and Schloss. The book is filled with private family photos of this art, some of which has never before been seen by the public, and it traces the fate of these works as they passed through the hands of top German officials, unscrupulous art dealers, and unwitting auction houses such as Christie's and Sotheby's. Many works were returned to their owners after the war, but thousands of them - and, in some cases, their owners - disappeared. Some of these lost artworks are tracked down in this book to their present-day locations in Europe and the United States. More than 2,000 of the works that were looted or sold to the Nazis found their way into French national museums, where they are labeled as "unclaimed." Still others can be found in Switzerland. Hector Feliciano spent more than seven years tracking down the story of this Nazi pillaging. Drawing on recently declassified documents, interrogation reports, detailed Nazi inventories, private family archives, museum catalogs, and dozens of interviews, Feliciano paints a vivid picture of a concealed international art trade with links in France, Germany, Switzerland, Great Britain, the former Soviet Union, and the United States - controversial disclosures that have provoked an ongoing debate in Europe.  再读一些...
评估：	(尚未评估) 0 附有评论 - 争取成为第一个。