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Lost tapes : the German recordings, 1952-1955

Auteur: Jutta HippShorty RoederHarry SchellKarl SannerRudi SehringAlle auteurs
Uitgever: [Freiburg, Germany] : Jazzhaus, [2013]
Editie/Formaat:   Muziek-cd : CD audio : Geen taalkundige inhoud
Database:WorldCat
Samenvatting:
Lost Tapes is a major new find that adds some valuable and previously unreleased live and studio performances to Jutta Hipp's relatively slim discography. The first 13 titles, dating from 1952-53, are her earliest recordings. The opener, 'Blues After Hours,' is a real surprise for Hipp reveals herself to be a superior swing/blues pianist. On 'Erroll's Bounce' she does a fine imitation of Erroll Garner. Hans Koller's  Meer lezen...
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Details

Genre: Muziek
Soort document: Geluidsopname
Alle auteurs / medewerkers: Jutta Hipp; Shorty Roeder; Harry Schell; Karl Sanner; Rudi Sehring; Albert Mangelsdorff; Hans Koller; Joki Freund; Attila Zoller
OCLC-nummer: 856585545
Opmerkingen: Jazz.
Compilation of recordings previously released on SWR: p1952-1955.
Compact disc.
Biographical notes on the performer in English and German printed on container.
Uitvoerende artiest(en): Jutta Hipp, piano ; Franz "Shorty" Roeder, Harry Schell, basses ; Karl Sanner, Rudi Sehring, drums ; Albert Mangelsdorff, trombone ; Hans Koller, Joki Freund, tenor saxophones ; Attila Zoller, guitar.
Colofon: Recorded at SWF Jazztime Koblenz, Nov. 30, 1952, at SWF Baden-Baden, June 1953, and at Villa Berg, SDR Stuttgart, Jun. 28, 1955.
Beschrijving: 1 audio disc (65 min.) : digital ; 4 3/4 in.
Inhoud: Blues after hours (4:40) --
Erroll's bounce (3:29) --
Gone with the wind (2:37) --
You go to my head (4:49) --
Out of nowhere (5:10) --
Stompin' at the Savoy (3:48) --
What is this thing called love? (4:51) --
What's new (3:11) --
These foolish things (3:40) --
Lonesome road (3:00) --
Sound-Koller (4:02) --
Come back to Sorrento (3:40) --
Moonlight in Vermont (4:04) --
Daily double (3:17) --
Indian summer (3:04) --
Everything happens to me (3:46) --
Serpentinen (3:15).
Andere titels: German recordings, 1952-1955
Verantwoordelijkheid: Jutta Hipp.

Fragment:

Lost Tapes is a major new find that adds some valuable and previously unreleased live and studio performances to Jutta Hipp's relatively slim discography. The first 13 titles, dating from 1952-53, are her earliest recordings. The opener, 'Blues After Hours,' is a real surprise for Hipp reveals herself to be a superior swing/blues pianist. On 'Erroll's Bounce' she does a fine imitation of Erroll Garner. Hans Koller's light-toned tenor, which sounds a bit like Warne Marsh, is featured on the next five selections with the quartet. With the addition of trombonist Albert Mangelsdorff, on six more numbers as a quintet, these are solid examples of 1950s cool jazz. While Hipp's playing hints in some spots at Tristano, she is more laidback and already had her own fresh musical personality. The final four numbers are from 1955 with Hipp in the spotlight. Two of the songs also feature guitarist Attila Zoller and Joki Freund on tenor.

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Primary Entity

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    library:placeOfPublication <http://experiment.worldcat.org/entity/work/data/1400644940#Place/freiburg_germany> ; # Freiburg, Germany
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/gw> ;
    schema:about <http://id.loc.gov/authorities/classification/M1366> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/1400644940#Event/1951_1960> ; # 1951 - 1960
    schema:about <http://experiment.worldcat.org/entity/work/data/1400644940#Topic/jazz> ; # Jazz
    schema:about <http://experiment.worldcat.org/entity/work/data/1400644940#Topic/piano_with_jazz_ensemble> ; # Piano with jazz ensemble
    schema:about <http://dewey.info/class/782.42165/e23/> ;
    schema:about <http://id.loc.gov/authorities/subjects/sh90002680> ; # Jazz--1951-1960
    schema:alternateName "German recordings, 1952-1955" ;
    schema:contributor <http://viaf.org/viaf/76501915> ; # Attila Zoller
    schema:contributor <http://experiment.worldcat.org/entity/work/data/1400644940#Person/roeder_shorty> ; # Shorty Roeder
    schema:contributor <http://viaf.org/viaf/76029140> ; # Karl Sanner
    schema:contributor <http://viaf.org/viaf/11323215> ; # Rudi Sehring
    schema:contributor <http://viaf.org/viaf/120376667> ; # Joki Freund
    schema:contributor <http://viaf.org/viaf/14958934> ; # Albert Mangelsdorff
    schema:contributor <http://viaf.org/viaf/295634277> ; # Harry Schell
    schema:contributor <http://viaf.org/viaf/59270007> ; # Hans Koller
    schema:creator <http://viaf.org/viaf/22329763> ; # Jutta Hipp
    schema:datePublished "2013" ;
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<http://experiment.worldcat.org/entity/work/data/1400644940#Topic/piano_with_jazz_ensemble> # Piano with jazz ensemble
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<http://id.loc.gov/authorities/subjects/sh90002680> # Jazz--1951-1960
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<http://viaf.org/viaf/11323215> # Rudi Sehring
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<http://viaf.org/viaf/120376667> # Joki Freund
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<http://viaf.org/viaf/14958934> # Albert Mangelsdorff
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<http://viaf.org/viaf/22329763> # Jutta Hipp
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<http://viaf.org/viaf/295634277> # Harry Schell
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<http://viaf.org/viaf/59270007> # Hans Koller
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    schema:givenName "Hans" ;
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<http://viaf.org/viaf/76029140> # Karl Sanner
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<http://viaf.org/viaf/76501915> # Attila Zoller
    a schema:Person ;
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<http://www.worldcat.org/title/-/oclc/856585545#Review/422057436>
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    schema:itemReviewed <http://www.worldcat.org/oclc/856585545> ; # Lost tapes the German recordings, 1952-1955
    schema:reviewBody "Lost Tapes is a major new find that adds some valuable and previously unreleased live and studio performances to Jutta Hipp's relatively slim discography. The first 13 titles, dating from 1952-53, are her earliest recordings. The opener, 'Blues After Hours,' is a real surprise for Hipp reveals herself to be a superior swing/blues pianist. On 'Erroll's Bounce' she does a fine imitation of Erroll Garner. Hans Koller's light-toned tenor, which sounds a bit like Warne Marsh, is featured on the next five selections with the quartet. With the addition of trombonist Albert Mangelsdorff, on six more numbers as a quintet, these are solid examples of 1950s cool jazz. While Hipp's playing hints in some spots at Tristano, she is more laidback and already had her own fresh musical personality. The final four numbers are from 1955 with Hipp in the spotlight. Two of the songs also feature guitarist Attila Zoller and Joki Freund on tenor." ;
    .


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