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Lost tapes : the German recordings, 1952-1955

Autor: Jutta HippShorty RoederHarry SchellKarl SannerRudi SehringTodos os autores
Editora: [Freiburg, Germany] : Jazzhaus, [2013]
Edição/Formato   CD musical : Áudio em CD : Nenhum conteúdo linguístico
Base de Dados:WorldCat
Resumo:
Lost Tapes is a major new find that adds some valuable and previously unreleased live and studio performances to Jutta Hipp's relatively slim discography. The first 13 titles, dating from 1952-53, are her earliest recordings. The opener, 'Blues After Hours, ' is a real surprise for Hipp reveals herself to be a superior swing/blues pianist. On 'Erroll's Bounce' she does a fine imitation of Erroll Garner. Hans  Ler mais...
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Detalhes

Tipo de Material: Música
Tipo de Documento Gravação de som
Todos os Autores / Contribuintes: Jutta Hipp; Shorty Roeder; Harry Schell; Karl Sanner; Rudi Sehring; Albert Mangelsdorff; Hans Koller; Joki Freund; Attila Zoller
Número OCLC: 856585545
Notas: Jazz.
Compilation of recordings previously released on SWR: p1952-1955.
Compact disc.
Biographical notes on the performer in English and German printed on container.
Executor(es): Jutta Hipp, piano ; Franz "Shorty" Roeder, Harry Schell, basses ; Karl Sanner, Rudi Sehring, drums ; Albert Mangelsdorff, trombone ; Hans Koller, Joki Freund, tenor saxophones ; Attila Zoller, guitar.
Notas de produção: Recorded at SWF Jazztime Koblenz, Nov. 30, 1952, at SWF Baden-Baden, June 1953, and at Villa Berg, SDR Stuttgart, Jun. 28, 1955.
Descrição: 1 audio disc (65 min.) : digital ; 4 3/4 in.
Conteúdos: Blues after hours (4:40) --
Erroll's bounce (3:29) --
Gone with the wind (2:37) --
You go to my head (4:49) --
Out of nowhere (5:10) --
Stompin' at the Savoy (3:48) --
What is this thing called love? (4:51) --
What's new (3:11) --
These foolish things (3:40) --
Lonesome road (3:00) --
Sound-Koller (4:02) --
Come back to Sorrento (3:40) --
Moonlight in Vermont (4:04) --
Daily double (3:17) --
Indian summer (3:04) --
Everything happens to me (3:46) --
Serpentinen (3:15).
Outros Títulos: German recordings, 1952-1955
Responsabilidade: Jutta Hipp.

Resumo:

Lost Tapes is a major new find that adds some valuable and previously unreleased live and studio performances to Jutta Hipp's relatively slim discography. The first 13 titles, dating from 1952-53, are her earliest recordings. The opener, 'Blues After Hours, ' is a real surprise for Hipp reveals herself to be a superior swing/blues pianist. On 'Erroll's Bounce' she does a fine imitation of Erroll Garner. Hans Koller's light-toned tenor, which sounds a bit like Warne Marsh, is featured on the next five selections with the quartet. With the addition of trombonist Albert Mangelsdorff, on six more numbers as a quintet, these are solid examples of 1950s cool jazz. While Hipp's playing hints in some spots at Tristano, she is more laidback and already had her own fresh musical personality. The final four numbers are from 1955 with Hipp in the spotlight. Two of the songs also feature guitarist Attila Zoller and Joki Freund on tenor.

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Primary Entity

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   library:oclcnum "856585545" ;
   library:placeOfPublication <http://experiment.worldcat.org/entity/work/data/1400644940#Place/freiburg_germany> ; # Freiburg, Germany
   library:placeOfPublication <http://id.loc.gov/vocabulary/countries/gw> ;
   schema:about <http://id.worldcat.org/fast/1063497> ; # Piano with jazz ensemble
   schema:about <http://id.loc.gov/authorities/classification/M1366> ;
   schema:about <http://experiment.worldcat.org/entity/work/data/1400644940#Event/1951_1960> ; # 1951-1960
   schema:about <http://id.worldcat.org/fast/982165> ; # Jazz
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   schema:about <http://id.loc.gov/authorities/subjects/sh90002680> ; # Jazz--1951-1960
   schema:alternateName "German recordings, 1952-1955" ;
   schema:contributor <http://viaf.org/viaf/76501915> ; # Attila Zoller
   schema:contributor <http://experiment.worldcat.org/entity/work/data/1400644940#Person/schell_harry> ; # Harry Schell
   schema:contributor <http://viaf.org/viaf/76029140> ; # Karl Sanner
   schema:contributor <http://viaf.org/viaf/11323215> ; # Rudi Sehring
   schema:contributor <http://viaf.org/viaf/120376667> ; # Joki Freund
   schema:contributor <http://viaf.org/viaf/14958934> ; # Albert Mangelsdorff
   schema:contributor <http://viaf.org/viaf/59270007> ; # Hans Koller
   schema:contributor <http://viaf.org/viaf/48764659> ; # Shorty Roeder
   schema:creator <http://viaf.org/viaf/22329763> ; # Jutta Hipp
   schema:datePublished "2013" ;
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Related Entities

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   schema:givenName "Harry" ;
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<http://experiment.worldcat.org/entity/work/data/1400644940#Place/freiburg_germany> # Freiburg, Germany
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<http://id.loc.gov/authorities/subjects/sh90002680> # Jazz--1951-1960
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<http://id.worldcat.org/fast/1063497> # Piano with jazz ensemble
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<http://id.worldcat.org/fast/982165> # Jazz
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<http://viaf.org/viaf/11323215> # Rudi Sehring
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<http://viaf.org/viaf/120376667> # Joki Freund
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<http://viaf.org/viaf/14958934> # Albert Mangelsdorff
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<http://viaf.org/viaf/22329763> # Jutta Hipp
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   schema:familyName "Hipp" ;
   schema:givenName "Jutta" ;
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<http://viaf.org/viaf/48764659> # Shorty Roeder
    a schema:Person ;
   schema:familyName "Roeder" ;
   schema:givenName "Shorty" ;
   schema:name "Shorty Roeder" ;
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<http://viaf.org/viaf/59270007> # Hans Koller
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   schema:familyName "Koller" ;
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<http://viaf.org/viaf/76029140> # Karl Sanner
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   schema:familyName "Sanner" ;
   schema:givenName "Karl" ;
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<http://viaf.org/viaf/76501915> # Attila Zoller
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   schema:familyName "Zoller" ;
   schema:givenName "Attila" ;
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<http://www.worldcat.org/title/-/oclc/856585545#Review/-1032141786>
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   schema:reviewBody "Lost Tapes is a major new find that adds some valuable and previously unreleased live and studio performances to Jutta Hipp's relatively slim discography. The first 13 titles, dating from 1952-53, are her earliest recordings. The opener, 'Blues After Hours, ' is a real surprise for Hipp reveals herself to be a superior swing/blues pianist. On 'Erroll's Bounce' she does a fine imitation of Erroll Garner. Hans Koller's light-toned tenor, which sounds a bit like Warne Marsh, is featured on the next five selections with the quartet. With the addition of trombonist Albert Mangelsdorff, on six more numbers as a quintet, these are solid examples of 1950s cool jazz. While Hipp's playing hints in some spots at Tristano, she is more laidback and already had her own fresh musical personality. The final four numbers are from 1955 with Hipp in the spotlight. Two of the songs also feature guitarist Attila Zoller and Joki Freund on tenor." ;
    .


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