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Louis H. Sullivan and a 19th-century poetics of naturalized architecture

ผู้แต่ง: Lauren S Weingarden
สำนักพิมพ์: Farnham, England ; Burlington, VT : Ashgate, ©2009.
ครั้งที่พิมพ์/รูปแบบ:   พิมพ์หนังสือ : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Criticism, interpretation, etc
รูปแบบทางกายภาพเพิ่มเติม Online version:
Weingarden, Lauren S., 1948-
Louis H. Sullivan and a 19th-century poetics of naturalized architecture.
Farnham, England ; Burlington, VT : Ashgate, ©2009
(OCoLC)608935183
ชื่อบุคคล: Louis H Sullivan; Louis H Sullivan; Louis H Sullivan; Louis H Sullivan; Louis H Sullivan; Louis H Sullivan
ขนิดวัสดุ: ทรัพยากรอินแทอร์เน็ต
ประเภทเอกสาร หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Lauren S Weingarden
ISBN: 9780754663089 0754663086
OCLC Number: 237788703
คำอธิบาย: xxvi, 412 pages, [16] pages of plates : illustrations (some color), maps, plans ; 25 cm
สารบัญ: List of figures --
Abbreviations of frequently cited sources and institutions --
Preface and acknowledgements --
About the author --
Introduction : reviewing Sullivan after Modernism --
The Romantic context and Emerson's poetic project for an American art --
John Ruskin : the picturesque discourse and the language of architectural naturalism --
Gothic naturalism and the Ruskinian critical tradition in America --
The auditorium building : a Ruskinian reading --
Ruskin's reception in the Chicago School --
Sullivan's emergence as a landscape poet-architect --
Naturalized technology : Sullivan's theory of skyscraper design --
Ut pictura architectura : Sullivan's pictorial techniques for representing nature in architecture --
The transportation building : Sullivan's manifesto of poeticized architecture --
Epilogue : the problem of Sullivan's poetic legacy --
Selected bibliography --
Index.
ความรับผิดชอบ: Lauren S. Weingarden.
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บทคัดย่อ:

For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H Sullivan (1856-1924). This title reveals Sullivan's eloquent articulation of nineteenth-century  อ่านมากขึ้น…

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'Lauren Weingarden has crafted a masterful and illuminating study of Louis Sullivan's architecture, ornament, and writings, considered through the triple lens of imagination, art, and society, and อ่านมากขึ้น…

 
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   schema:reviewBody ""For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism." "By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation." "Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry."--Jacket." ;
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