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The making of women artists in Victorian England : the education and careers of six professionals

Author: Joanna Devereux
Publisher: Jefferson, North Carolina : McFarland & Company, Inc., Publishers, [2016]
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists"--
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Genre/Form: History
Document Type: Book
All Authors / Contributors: Joanna Devereux
ISBN: 9780786494095 0786494093
OCLC Number: 948560997
Description: viii, 255 pages : illustrations ; 23 cm
Contents: Preface ; Introduction ; One. Women Artists' Networks at the South Kensington, Royal Academy and Slade Schools, 1860-1910; Two. "The golden spectacles": Reading Kate Greenaway through Her Mentors; Three. "On the line" at the Royal Academy: Elizabeth Butler and Motion; Four. The Iconography of "Happy England": Helen Allingham's Genre Paintings; Five. Galatea Reversed: Princess Louise and Nineteenth-Century Women Sculptors. Six. "The spirit which animated the workers": Evelyn De Morgan's Aesthetic MannerismSeven. "[Un]winding the Skein": Henrietta Rae and the Undraped Nude; Appendix: Artists and Schools ; Chapter Notes ; Bibliography.
Responsibility: Jo Devereux.

Abstract:

When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. Analysing their education and careers, this  Read more...

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