passa ai contenuti
Making race : modernism and Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Making race : modernism and "racial art" in America

Autore: Jacqueline Francis
Editore: Seattle : University of Washington Press, ©2012.
Edizione/Formato:   Libro : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia online

Collegamenti a questo documento

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Criticism, interpretation, etc
History
Persona incaricata: Malvin Gray Johnson; Yasuo Kuniyoshi; Max Weber; Malvin Gray Johnson; Yasuo Kuniyoshi; Max Weber; Malvin Gray Johnson; Yasuo Kuniyoshi; Max Weber
Tipo materiale: Government publication, State or province government publication, Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Jacqueline Francis
ISBN: 9780295991450 0295991453
Numero OCLC: 713189786
Note: "A McLellan book."
Descrizione: xiv, 250 pages : illustrations (some color) ; 23 cm
Contenuti: Introduction --
The meanings of modernism --
Making race in American religious painting --
Type/face/mask: racial portraiture --
The race of landscape --
Conclusion.
Responsabilità: Jacqueline Francis.
Maggiori informazioni:

Abstract:

A history of a past phenomenon - racial art - which has ramifications for the present  Per saperne di più…

Commenti

Recensioni editoriali

Sinossi editore

"Francis's subject is not only these three artists, but encompasses as well broader issues of how social identities are constructed at particular historical moments and the complex relationships Per saperne di più…

 
Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/713189786>
library:oclcnum"713189786"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/713189786>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2009113374>
rdf:typeschema:Intangible
schema:name"Art criticism--United States--History--20th century."@en
schema:about
schema:copyrightYear"2012"
schema:creator
schema:datePublished"2012"
schema:description""Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher."@en
schema:description""A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher."@en
schema:description"Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/867071348>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"History."@en
schema:genre"History"@en
schema:image<http://www.netread.com/jcusers/1305/2465478/image/lgcover.3140359.jpg>
schema:inLanguage"en"
schema:name"Making race : modernism and "racial art" in America"@en
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.