skip to content
Mallarmé : devant ses contemporains, 1875-1899 Preview this item
ClosePreview this item
Checking...

Mallarmé : devant ses contemporains, 1875-1899

Author: Peter S Hambly
Publisher: Adelaide : University of Adelaide Press, 2011.
Series: PANDORA electronic collection.
Edition/Format:   eBook : Document : Biography : French
Database:WorldCat
Summary:
The enigmatic nature of Mallarmé's works disconcerted his first readers, and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print. Some were laudatory; others claimed that he wished to found a poetic School of the Unintelligible. Today's reader will find gathered here reviews  Read more...
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Biography
Criticism, interpretation, etc
Named Person: Stéphane Mallarmé; Stéphane Mallarmé; Stéphane Mallarmé
Material Type: Biography, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Peter S Hambly
ISBN: 9780980723076 0980723078
OCLC Number: 773838277
Notes: The whole document is fully searchable.
Description: 1 online resource (153 p.)
Details: Mode of access: World Wide Web.
Series Title: PANDORA electronic collection.
Responsibility: Peter Hambly (éd.).

Abstract:

The enigmatic nature of Mallarmé's works disconcerted his first readers, and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print. Some were laudatory; others claimed that he wished to found a poetic School of the Unintelligible. Today's reader will find gathered here reviews published when individual works first appeared, and critical texts on his work in general. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the first performances of Debussy's Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé's name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/773838277>
library:oclcnum"773838277"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/773838277>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookFormatschema:EBook
schema:contributor
schema:datePublished"2011"
schema:exampleOfWork<http://worldcat.org/entity/work/id/1075475137>
schema:genre"Criticism, interpretation, etc."
schema:genre"Biography"
schema:genre"Biography."
schema:name"Mallarmé devant ses contemporains, 1875-1899"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/773838277>
schema:reviewBody"The enigmatic nature of Mallarmé's works disconcerted his first readers, and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print. Some were laudatory; others claimed that he wished to found a poetic School of the Unintelligible. Today's reader will find gathered here reviews published when individual works first appeared, and critical texts on his work in general. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the first performances of Debussy's Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé's name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here."
schema:url<http://www.adelaide.edu.au/press/titles/mallarme>
schema:url
schema:workExample

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.