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Malory's Morte Darthur : remaking Arthurian tradition

Verfasser/in: Catherine Batt
Verlag: New York : Palgrave, 2002.
Serien: New Middle Ages (Palgrave (Firm))
Ausgabe/Format   Buch : Englisch : 1st edAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"This study explores how Malory's Morte Darthur responds to available literary vernacular Arthurian traditions - the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Lancelot, and exposes the tensions and disillusions of the Arthurian project. The Morte  Weiterlesen…
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Gattung/Form: Criticism, interpretation, etc
History
Name: Thomas Malory, Sir; Thomas Malory, Sir; Thomas Malory, Sir; Malory, Sir Thomas; Thomas Malory; Thomas Malory, Sir
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Catherine Batt
ISBN: 0312229984 9780312229986
OCLC-Nummer: 48083988
Beschreibung: xxiii, 264 p. ; 22 cm.
Inhalt: Structures and Traditions --
Desire, History, Violence: Merlin's Narratives --
Narrative Form and Heroic Expectation: The Tale of Arthur and Lucius, The Noble Tale of Sir Launcelot du Lake, and The Tale of Sir Gareth of Orkney --
Setting Limits: Textual Parameters and Sites of Resistance in The Book of Sir Tristram --
Spiritual Community, Gender, and Fatherhood in The Tale of the Sankgreal --
Displaced Persons: Readers, Love, Death, and Commemoration.
Serientitel: New Middle Ages (Palgrave (Firm))
Andere Titel Morte Darthur
Verfasserangabe: Catherine Batt.
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Abstract:

"This study explores how Malory's Morte Darthur responds to available literary vernacular Arthurian traditions - the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Lancelot, and exposes the tensions and disillusions of the Arthurian project. The Morte poignantly conveys a desire for integrity in narrative and subject-matter, but at the same time tests literary conceptualizations of history, nationalism, gender and selfhood, and considers the failures of social and legal institutionalizations of violence, in a critique of literary form and of social order."--BOOK JACKET.

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