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Manet and the family romance

Auteur : Nancy Locke
Éditeur : Princeton, N.J. : Princeton University Press, ©2001.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Edouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as Le Dejeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the artist's family relationships for his art. Locke argues that a kind of mythology of the family, or Freudian family romance,  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Édouard Manet; Édouard Manet; Édouard Manet; Édouard Manet
Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Nancy Locke
ISBN : 0691050600 9780691050607 0691114846 9780691114842
Numéro OCLC : 44885334
Description : viii, 223 pages : illustrations ; 27 cm
Responsabilité : Nancy Locke.
Plus d’informations :

Résumé :

"Edouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as Le Dejeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the artist's family relationships for his art. Locke argues that a kind of mythology of the family, or Freudian family romance, frequently determined Manet's compositional decisions and choice of models. By looking at the representation of the family as a volatile mechanism for the development of sexuality and of repression, conflict, and desire, Locke brings powerful new interpretations to some of Manet's most complex works." "Locke considers, for example, the impact of a father-son drama rooted in a closely guarded family secret: the adultery of Manet pere and the status of Leon Leenhoff. Her nuanced exploration of the implications of this story - that Manet in fact married his father's mistress - makes us look afresh at even well-known paintings such as Olympia. This book sheds new light on Manet's infamous interest in gypsies, street musicians, and itinerants, as Locke analyzes the activities of Manet's father as a civil judge. She also reexamines the close friendship between Manet and the Impressionist painter Berthe Morisot, who married Manet's brother. Morisot becomes the subject of a series of meditations on the elusiveness of the self, the transience of identity, and conflicting concerns with appearances and respectability. Manet and the Family Romance offers an entirely new set of arguments about the cultural forces that shaped these alluring paintings."--Jacket.

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   schema:reviewBody ""Edouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as Le Dejeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the artist's family relationships for his art. Locke argues that a kind of mythology of the family, or Freudian family romance, frequently determined Manet's compositional decisions and choice of models. By looking at the representation of the family as a volatile mechanism for the development of sexuality and of repression, conflict, and desire, Locke brings powerful new interpretations to some of Manet's most complex works." "Locke considers, for example, the impact of a father-son drama rooted in a closely guarded family secret: the adultery of Manet pere and the status of Leon Leenhoff. Her nuanced exploration of the implications of this story - that Manet in fact married his father's mistress - makes us look afresh at even well-known paintings such as Olympia. This book sheds new light on Manet's infamous interest in gypsies, street musicians, and itinerants, as Locke analyzes the activities of Manet's father as a civil judge. She also reexamines the close friendship between Manet and the Impressionist painter Berthe Morisot, who married Manet's brother. Morisot becomes the subject of a series of meditations on the elusiveness of the self, the transience of identity, and conflicting concerns with appearances and respectability. Manet and the Family Romance offers an entirely new set of arguments about the cultural forces that shaped these alluring paintings."--Jacket." ;
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