跳至内容
Manet's modernism, or, The face of painting in the 1860s 線上預覽
關閉線上預覽
正在查...

Manet's modernism, or, The face of painting in the 1860s

作者: Michael Fried
出版商: Chicago : University of Chicago Press, 1996.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Manet's Modernism, or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central antitheatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that previous accounts of Edouard Manet as the first modernist painter are based on a simplistic
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

提及的人: Édouard Manet; Édouard Manet; Édouard Manet; Édouard Manet; Edouard Manet; Edouard Manet
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Michael Fried
ISBN: 0226262162 9780226262161 9780226262178 0226262170
OCLC系統控制編碼: 32310944
描述: xxviii, 647 p., [16] p. of plates : ill. (some col.) ; 26 cm.
内容: Introduction: Manet before Impressionism --
1. Manet's Sources, 1859-1869 --
2. "Manet's Sources" Reconsidered --
3. The Generation of 1863 --
4. Manet in His Generation --
5. Between Realisms --
Coda: Manet's Modernism --
Appendix 1 Antonin Proust, "L'Art d'Edouard Manet" (1901) --
Appendix 2 Edmond Duranty, "Ceux qui seront les peintres" (1867) --
Appendix 3 Le Capitaine Pompilius [Carle Desnoyers], remarks on Manet (1863) --
Appendix 4 Zacharie Astruc, remarks on Manet (1863).
其他題名: Manet's modernism
Face of painting in the 1860s
責任: Michael Fried.
更多資訊:

摘要:

Manet's Modernism, or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central antitheatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that previous accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition - also the deeply problematic nature - of his epochal paintings of the 1860s.

By placing the painter squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler, all of whom are treated at length) as well as in the context of the art-critical discourse of his time, Fried transforms our sense of Manet's artistic project. Instead of the usual emphasis on flatness and visuality, Fried focuses on aspects of Manet's work that have either been minimized or ignored: his repeated allusions to Old Master sources, his desire for "universality" as regards both national schools and individual genres, his efforts to annul the absorptive basis of the modern French tradition, his invention of a sort of portrait-tableau, above all his pursuit of facingness and strikingness as means of reconstructing the relationship between painting and beholder.

The result is an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art.

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/32310944>
library:oclcnum"32310944"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/32310944>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/97379936>
rdf:typeschema:Person
schema:birthDate"(1832"
schema:birthDate"1832"
schema:deathDate"1883)"
schema:deathDate"1883"
schema:familyName"Manet"
schema:givenName"Edouard"
schema:givenName"Édouard"
schema:name"Manet, Édouard, 1832-1883"
schema:name"Manet, Edouard."
schema:name"Manet, Édouard, 1832-1883."
schema:name"Manet, Édouard, (1832-1883)"
schema:about
schema:creator
schema:datePublished"1996"
schema:description"Introduction: Manet before Impressionism -- 1. Manet's Sources, 1859-1869 -- 2. "Manet's Sources" Reconsidered -- 3. The Generation of 1863 -- 4. Manet in His Generation -- 5. Between Realisms -- Coda: Manet's Modernism -- Appendix 1 Antonin Proust, "L'Art d'Edouard Manet" (1901) -- Appendix 2 Edmond Duranty, "Ceux qui seront les peintres" (1867) -- Appendix 3 Le Capitaine Pompilius [Carle Desnoyers], remarks on Manet (1863) -- Appendix 4 Zacharie Astruc, remarks on Manet (1863)."@en
schema:description"Manet's Modernism, or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central antitheatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that previous accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition - also the deeply problematic nature - of his epochal paintings of the 1860s."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/328816>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Manet's modernism, or, The face of painting in the 1860s"@en
schema:name"Face of painting in the 1860s"@en
schema:name"Manet's modernism"@en
schema:numberOfPages"647"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.