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| Document Type: | Book |
|---|---|
| All Authors / Contributors: |
Gary S Karpinski |
| ISBN: | 0393976637 9780393976632 0393104370 9780393104370 |
| OCLC Number: | 56825039 |
| Notes: | Includes indexes. |
| Description: | xxii, 398 p. : ill; 28 cm. + 1 CD-ROM (4 3/4 in.) |
| Details: | System requirements for accompanying CD-ROM: Windows or Macintosh. |
| Contents: | Fundamentals of meter and rhythm -- Fundamentals of pitch -- Combining pitches with meter and rhythm -- Error detection and correction -- More about meter and rhythm -- More about pitch -- Notating rhythm and meter -- Notating pitches -- Combining rhythm and pitch notation -- Dictation in longer contexts -- Fifteen major keys -- Ties and the dotted beat -- More about intervals: number and quality -- Skips to 7-ti and 2-re as prefix neighbors -- Tempo -- Compound meters -- Intro. to the minor mode: relative and parallel approaches -- Lower chromatic neighbors -- More about the minor mode: chromaticism through modal borrowing -- Triplets and duplets -- Intro. to transcription -- Quadruple division of the beat in simple meters -- Conducting pulse levels other than the notated beat -- Performance indications -- Dominant triad -- C-clefs: alto and tenor clefs -- Skips to 4-fa and 6-la-le as prefix neighbors -- Sextuple division of the beat in compound meters -- Repeat signs -- Subdominant third -- Syncopation -- Dominant seventh chord in melodic contexts -- Intro. to harmonic singing -- Intro. to harmonic listening: harmonic rhythm and cadences -- Two-part music. Intro. to bass line dictation -- Root position and first inversion triads -- Intro. to voice leading -- Triad qualities -- Leading-tone triad -- Supertonic triad -- Submediant triad -- Mediant triad -- Dominant seventh chord in harmonic contexts -- Voice-leading techniques -- Six-four figures -- Other seventh chords -- Transposition -- Modes: relative approach -- Modes: parallel approach -- Advanced triplets -- Chromatic passing tones -- Skips to chromatic pitches as prefix neighbors -- Chords applied to the dominant -- Chords applied to the subdominant -- Chords applied to the supertonic -- Chords applied to the submediant -- Chords applied to the mediant -- Neapolitan chord -- Augmented sixth chords -- Other chords -- Melodic sequence -- Harmonic sequence -- Other clefs -- Hemiola -- Stepwise chromatic alterations -- Reading in keys other than the notated key signature -- Intro. to modulation -- Closely related modulation from the major mode -- Closely related modulation from the minor mode -- Distant modulations -- Successive modulations -- Fragments of tonality -- Advanced metric concepts -- More advanced rhythms -- Some common non-diatonic pitch collections -- Hypermeter -- Form. |
| Responsibility: | Gary S. Karpinski. |
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