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Manuel Álvarez Bravo

著者: Manuel Álvarez BravoLaura González FloresGerardo MosqueraMuriel RauschMónica Fuentes Santos所有著者
出版商: Alcobendas [Spain] : TF Editores, ©2012.
版本/格式:   Print book : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Manuel Alvarez Bravo, a pioneer of art photography in Mexico, is a cornerstone of Mexican culture and twentieth-century Latin-American photography. His work ranges from late 1920 to the 90s. Alvarez Bravo's artistic identity is inextricably linked to the history of his country and the creation of Mexican identity after the revolution of 1910. Thus, his work can be understood both as a reflection of the
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类型/形式: Exhibition catalogs
History
Exhibitions
提及的人: Manuel Álvarez Bravo; Manuel Álvarez Bravo; Manuel Alvarez Bravo
材料类型: 传记
文件类型:
所有的著者/提供者: Manuel Álvarez Bravo; Laura González Flores; Gerardo Mosquera; Muriel Rausch; Mónica Fuentes Santos; Jeu de paume (Gallery : France); Fundación Mapfre.
ISBN: 9788498443967 8498443962 9788415253266 8415253265
OCLC号码: 821649056
注意: Catalog of an exhibition held at the Jeu de Paume, Paris, October 16, 2012-January 20, 2013; Fundación Mapfre, Madrid, February 11-May 19, 2013.
描述: 285 pages : illustrations (some color) ; 31 cm
内容: Manuel Álvarez Bravo: syllables of light / Laura González Flores --
"I accept what is to be seen" / Gerardo Mosquera --
Equivocal documents / Roberto Tejada --
Manuel Álvarez Bravo and filmmaking / Álvaro Vázquez Mantecón --
The tunnel at the end of the light / Iván de la Nuez --
Catalogue. Creating ; Constructing ; Appearing ; Seeing ; Lying ; Revealing ; Walking ; Dreaming.
责任: [exhibition and catalogue produced by the Jeu de Paume, Paris, and Fundación Mapfre, Madrid ; exhibition curators, Laura González Flores, Gerardo Mosquera ; catalogue editorial director, Muriel Rausch ; catalogue coordination, Mónica Fuentes Santos].
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A monograph of art photographer Manuel Alvarez Bravo.  再读一些...

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   schema:description ""Manuel Alvarez Bravo, a pioneer of art photography in Mexico, is a cornerstone of Mexican culture and twentieth-century Latin-American photography. His work ranges from late 1920 to the 90s. Alvarez Bravo's artistic identity is inextricably linked to the history of his country and the creation of Mexican identity after the revolution of 1910. Thus, his work can be understood both as a reflection of the extraordinary variety of cultures in Mexico as an eccentric drift of surreal avante-garde. The exhibition organised by Fundacion MAPFRE and the accompanying catalogue, runs through 150 photographs, a limited number of iconographic motifs of his work: reflections and illusions of the big city, bodies lying converted into shapes, objects of ambiguous meanings, a wide panoramic that shows his rejection to easy picturesque, his irony insistently ambiguous, and his ability to convert images into symbols beyond the poetic realism typical of Mexican culture. Another key element in his photography is the time, and thus, the exhibition explores the relationship between his language and in photography and experimental film stills of the sixties. Finally, the exhibition shows a selection of late colour photographs and polaroids confirming Alvarez Bravo as an artist working against the grain of established cliches, while having a defining influence on Mexican and Latin-American photography."--Bokus.com."@en ;
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