|提及的人：||Manuel Alvarez Bravo; Manuel Alvarez Bravo|
Manuel Alvarez Bravo; Laura González Flores; Gerardo Mosquera; Muriel Rausch; Mónica Fuentes Santos; Jeu de paume (Gallery : France); Fundación Mapfre.
|ISBN:||9788498443967 8498443962 9788415253266 8415253265|
"Jeu de Paume, Paris, October 16, 2012-January 20, 2013; Fundación Mapfre, Madrid, February 11-May 19, 2013"--P. .
|描述：||285 p. : ill. (some col.) ; 31 cm.|
|内容：||Manuel Álvarez Bravo: syllables of light / Laura González Flores --
"I accept what is to be seen" / Gerardo Mosquera --
Equivocal documents / Roberto Tejada --
Manuel Álvarez Bravo and filmmaking / Álvaro Vázquez Mantecón --
The tunnel at the end of the light / Iván de la Nuez --
Catalogue. Creating ; Constructing ; Appearing ; Seeing ; Lying ; Revealing ; Walking ; Dreaming.
|責任：||[exhibition and catalogue produced by the Jeu de Paume, Paris, and Fundación Mapfre, Madrid ; exhibition curators, Laura González Flores, Gerardo Mosquera ; catalogue editorial director, Muriel Rausch ; catalogue coordination, Mónica Fuentes Santos].|
"While not denying the links with Surrealism and the clichés relating to Mexican culture, the selection of 150 photographs is designed to bring out a specific set of iconographic themes running through Álvarez Bravo's practice: reflections and trompe-l'œil effects in the big city; prone bodies reduced to simple masses; volumes of fabric affording glimpses of bodies; minimalist, geometrically harmonious settings; ambiguous objects, etc. ... these recurring phenomena are like visual syllables repeated all through his œuvre, from the late 1920s to the early 1980s. ... Arguably, Álvarez Bravo's photographs could be viewed as images from a film. The exhibition explores this hypothesis by juxtaposing some of his most famous pictures with short experimental films made in the 1960s, taken from the family archives. The show also features some late, highly cinematic images, and a selection of colour prints and Polaroids. ..."--Jeu de Paume website.