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Manuscripts in the making

Author: Stella Panayotova; Paola Ricciardi; Fitzwilliam Museum.
Publisher: London ; Turnhout : Harvey Miller, 2017-
Edition/Format:   Print book : Conference publication : English
Summary:
This publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of  Read more...
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Genre/Form: Conference papers and proceedings
Congresses
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Stella Panayotova; Paola Ricciardi; Fitzwilliam Museum.
ISBN: 9781909400108 9781912554133 1909400106 1912554135
OCLC Number: 1005723122
Notes: Papers delivered at the international conference held in Cambridge in 8-10 December 2016, in conjunction with the Fitzwilliam Museum's bicentenary exhibition "Colour : the art and science of illuminated manuscripts" (30 July 2016-2 January 2017).
Description: 2 volumes ; illustrations (chiefly color), charts, facsimiles. ; 29 cm
Contents: Volume 1. Art & science 1. Volume 2. Art & Science 2.
Other Titles: Art and science
Responsibility: edited by Stella Panayotova & Paola Ricciardi.

Abstract:

This publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists' collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory tables and diagrams.

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