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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/695990304 Title: Maoist model theatre : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) Author: Rosemary A Roberts Publisher: Leiden ; Boston : Brill, 2010. ISBN/ISSN: 9789047430889 9047430883 OCLC:695990304

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Maoist model theatre : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976)

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Maoist model theatre : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976)

Author:	Rosemary A Roberts
Publisher:	Leiden ; Boston : Brill, 2010.
Series:	Women and gender in China studies, v. 2.
Edition/Format:	eBook : Document : EnglishView all editions and formats
Database:	WorldCat
Summary:	Drawing on theories ranging from cultural studies to sociology, this book offers a new understanding of gender in Maoist model theatre (yangbanxi) that acknowledges the complex interplay of traditional, modern, Chinese and foreign gender ideologies manifested in the works.
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Theater -- Political aspects -- China -- History -- 20th century. Gender identity in the theater -- China. Sex in the theater. View all subjects
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Genre/Form:	Electronic books History
Additional Physical Format:	Print version: Roberts, Rosemary A. Maoist model theatre. Leiden ; Boston : Brill, 2010 (DLC) 2009029003 (OCoLC)427857579
Material Type:	Document, Internet resource
Document Type:	Internet Resource, Computer File
All Authors / Contributors:	Rosemary A Roberts Find more information about:
ISBN:	9789047430889 9047430883
OCLC Number:	695990304
Description:	1 online resource (xxii, 285 pages) : illustrations.
Contents:	List of Tables; List of Illustrations; Acknowledgements; List of Abbreviations; Chapter One Introduction: Gender and the Model Works; Chapter Two Role Assignment and Gender: Resetting the Paradigms; Chapter Three Costume in the Yangbanxi: Gendering the Revolutionary Body; Chapter Four Gender and the Kinesics of Yangbanxi Ballet; Chapter Five Feminising Leadership in Song of the Dragon River; Chapter Six The Yangbanxi Heroine and the Historical Tradition of the Chinese Woman Warrior; Chapter Seven Gendering the Counter-Revolution: The Feminisation of Villainy.
Series Title:	Women and gender in China studies, v. 2.
Other Titles:	Maoist model theater
Responsibility:	by Rosemary A. Roberts.

Abstract:

Drawing on theories ranging from cultural studies to sociology, this book offers a new understanding of gender in Maoist model theatre (yangbanxi) that acknowledges the complex interplay of Read more...

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