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Marcel Duchamp and Max Ernst : the bride shared

Author: David Hopkins
Publisher: Oxford : Clarendon Press ; Oxford ; New York : Oxford University Press, 1998.
Series: Clarendon studies in the history of art.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
David Hopkins analyses a fascinating network of shared themes and images in the work of Marcel Duchamp and Max Ernst, two of the central names of modern art. Covering a period of time from 1912 to the mid-1940s, the author shows how their preoccupations intersected with those of Dada and Surrealism, the movements to which they were linked.
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Genre/Form: Criticism, interpretation, etc
Named Person: Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst
Document Type: Book
All Authors / Contributors: David Hopkins
ISBN: 0198175132 9780198175131 019876202X 9780198762027
OCLC Number: 37890462
Description: xv, 211 pages : illustrations (some color) ; 29 cm.
Contents: 1. 'Constructing' and 'Unveiling' the Bride: Duchamp's Mariee and the Ideology of Gender --
2. The Tripartite Bride: Belief Systems as Structure --
3. The Robing of the Bride: Max Ernst's Response to Duchamp --
4. Identity, Taxonomy, Narrative: Geometry in Ernst's Vox Angelica and Related Works --
5. Conclusion: Rrose Selavy and Loplop.
Series Title: Clarendon studies in the history of art.
Responsibility: David Hopkins.
More information:

Abstract:

A study of the work of Marcel Duchamp and Max Ernst providing an examination of their use of the structural interaction of "ready-made" belief systems. The artists are revealed as precursors of the  Read more...

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his work is characterized by a clarity of thought and expression which provides an object lesson to all who think about, write about, or take part in, politics Public Law

 
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