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Marcel Duchamp and Max Ernst : the bride shared

著者: David Hopkins
出版商: Oxford : Clarendon Press ; Oxford ; New York : Oxford University Press, 1998.
丛书: Clarendon studies in the history of art.
版本/格式:   图书 : 英语
提要:
David Hopkins analyses a fascinating network of shared themes and images in the work of Marcel Duchamp and Max Ernst, two of the central names of modern art. Covering a period of time from 1912 to the mid-1940s, the author shows how their preoccupations intersected with those of Dada and Surrealism, the movements to which they were linked.
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详细书目

提及的人: Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst; Marcel Duchamp; Max Ernst
文件类型:
所有的著者/提供者: David Hopkins
ISBN: 0198175132 9780198175131 019876202X 9780198762027
OCLC号码: 37890462
描述: xv, 211 p. : ill. (some col.) ; 29 cm.
内容: 1. 'Constructing' and 'Unveiling' the Bride: Duchamp's Mariee and the Ideology of Gender --
2. The Tripartite Bride: Belief Systems as Structure --
3. The Robing of the Bride: Max Ernst's Response to Duchamp --
4. Identity, Taxonomy, Narrative: Geometry in Ernst's Vox Angelica and Related Works --
5. Conclusion: Rrose Selavy and Loplop.
丛书名: Clarendon studies in the history of art.
责任: David Hopkins.
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摘要:

David Hopkins analyses a fascinating network of shared themes and images in the work of Marcel Duchamp and Max Ernst, two of the central names of modern art. Covering a period of time from 1912 to the mid-1940s, the author shows how their preoccupations intersected with those of Dada and Surrealism, the movements to which they were linked.

In a multi-layered argument, rich in original discoveries and insights, the author shows how the artists subverted Catholic doctrine using powerfully bizarre and disturbing visual imagery appropriated from areas as diverse as Symbolist painting and Freudian psychoanalysis. He charts new territory by showing that their parodic flirtation with the imagery of Rosicrucianism and Freemasonry amounted to what he calls a 'poetics of separatist male identity' which ironically reinforced dominant modes of male avant garde organization.

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