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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/41256321 Title: Marcel Duchamp : the art of making art in the age of mechanical reproduction Author: Francis M Naumann; Marcel Duchamp Publisher: Ghent : New York : Ludion Press ; Distributed by Harry N. Abrams, publishers, ©1999. ISBN/ISSN: 0810963345 9780810963344 OCLC:41256321

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Marcel Duchamp : the art of making art in the age of mechanical reproduction

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Marcel Duchamp : the art of making art in the age of mechanical reproduction

Author:	Francis M Naumann; Marcel Duchamp
Publisher:	Ghent : Ludion Press ; New York : Distributed by Harry N. Abrams, publishers, ©1999.
Edition/Format:	Book : EnglishView all editions and formats
Summary:	Examines how appropriation and replication were essential to Duchamp's art and disscusses the significance of the many replicas that he created or authorized.
Rating:	based on 1 rating(s) 0 with reviews - Be the first.

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Additional Physical Format:	Online version: Naumann, Francis M. Marcel Duchamp. Ghent : Ludion Press ; New York : Distributed by Harry N. Abrams, publishers, c1999 (OCoLC)607384824
Named Person:	Marcel Duchamp; Marcel Duchamp; Marcel Duchamp; Marcel Duchamp
Document Type:	Book
All Authors / Contributors:	Francis M Naumann; Marcel Duchamp Find more information about:
ISBN:	0810963345 9780810963344
OCLC Number:	41256321
Description:	331 p. : ill. (some col.) ; 31 cm.
Contents:	1. Swimming Lessons: Early Experiences in the Art of Printmaking, 1902-1909 -- 2. Keeping Afloat in a Sea of Opposition: Years of Major Transition, 1910-1915 -- 3. Swimming Freely: Designs on Dada, 1915-1923 -- 4. Taking Note of the Past with an Eye on the Future 1923-1934 -- 5. Vacationing in Past Time: Seven Years to Pack a Valise, 1935-1941 -- 6. Unpacking Your Past in a Country of the Future, 1941-1951 -- 7. The Circus Continues, 1952-1959 -- 8. Proliferation of the Already Made: Copies, Replicas, and Works in Edition, 1960-1964 -- 9. Being Discovered in the Infinitive, 1965-1968 -- BBC Interview, 1968.
Responsibility:	Francis M. Naumann.

Abstract:

Examines how appropriation and replication were essential to Duchamp's art and disscusses the significance of the many replicas that he created or authorized.

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