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Maria Callas, a tribute

Autor: Pierre-Jean Rémy
Editorial: New York : St. Martin's Press, ©1978.
Edición/Formato:   Libro : Biografía : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
This book is the story of a woman and the story of a voice, the sublime moments, the depths of anguish. But it is also the story of a woman and a voice selfishly enslaved by us men from the start, by all of us, opera directors and members of her public. And so it is the story of a woman, a voice, and a group of men around her, pestering, snapping, wearying, and in the end covering their faces at the kill. Why  Leer más
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Detalles

Género/Forma: Biography
Persona designada: Maria Callas
Tipo de material: Biografía
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Pierre-Jean Rémy
ISBN: 0312514484 9780312514488
Número OCLC: 5831645
Descripción: 192 p. : ill. ; 25 cm.
Contenido: Foreword / Lord Harewood --
Introduction --
Early days (1923-1947) --
A star is born (1947-1951) --
The conquest of La Scala (1951-1954) --
Prima donna assoluta (1954-1959) --
The queen without a kingdom (1959-1963) --
The death of the swan (1964-1964) --
Tu, in questa tomba (1966-1977) --
List of Callas's roles --
Discography.
Otros títulos: Callas.
Responsabilidad: Pierre-Jean Rémy ; translated from the French by Catherine Atthill.

Resumen:

This book is the story of a woman and the story of a voice, the sublime moments, the depths of anguish. But it is also the story of a woman and a voice selfishly enslaved by us men from the start, by all of us, opera directors and members of her public. And so it is the story of a woman, a voice, and a group of men around her, pestering, snapping, wearying, and in the end covering their faces at the kill. Why Callas? Because she recreated opera. Because she revived an art of singing which had been forgotten or neglected for years. And because she was the first to realize that opera is theater too. Because beyond Callas as a vocal phenomenon, beyond her musical sense, her timbre, and the colors of her voice, there lay a tragic actress who, like Wieland Wagner just a few years before, set opera on a new road, who showed that there was something else. After Callas, opera will never be the same again. - Introduction.

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Datos enlazados


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