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Marie-Jeanne coaching Concerto barocco, original version (1941)

Author: George BalanchineMarie-Jeanne.John TarasCatherine TatgeMerrill AshleyAll authors
Publisher: [New York?] : George Balanchine Foundation, ©1997.
Series: Interpreters archive.
Edition/Format:   VHS video : VHS tape   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
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Details

Genre/Form: Interviews
Named Person: George Balanchine; Marie-Jeanne.; John Taras; George Balanchine; Jeanne Marie; John Taras
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: George Balanchine; Marie-Jeanne.; John Taras; Catherine Tatge; Merrill Ashley; Suki Schorer; Stephanie Jordan; Nancy Reynolds; Nancy McDill; Johann Sebastian Bach; School of American Ballet.; George Balanchine Foundation.
OCLC Number: 42764640
Credits: Editor, Virginia Brooks.
Performer(s): Merrill Ashley, principal dancer New York City Ballet ; Students of the School of American Ballet ; Suki Schorer, instructor ; Nancy McDill, piano ; Stephanie Jordan, Nancy Reynolds, interviewers.
Event notes: Taped at New York City Ballet studios, Lincoln Center, New York, June 16-17, 1996.
Description: 1 videocassette (116 min.) : sd., col. ; 1/2 in.
Details: VHS.
Contents: Double violin concerto in D minor, BWV 1043.
Series Title: Interpreters archive.
Responsibility: with John Taras, Suki Schorer ; music Johann Sebastian Bach ; choreography, George Balanchine ; director and producer, Catherine Tatge.

Abstract:

Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.

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