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Marsilio Ficino, Pietro Bembo, Baldassare Castiglione : philosophical, aesthetic, and political approaches in Renaissance Platonism

作者: Christine Raffini
出版商: New York : P. Lang, ©1998.
叢書: Renaissance and Baroque studies and texts, v. 21.
版本/格式:   圖書 : 傳記 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Marsilio Ficino's ideas on love, cosmology, the contemplative life, and the immortality of the soul transformed Europe, inspiring art and shaping attitudes for centuries to come. After examining his attempts to reconcile Christian authority with Renaissance individualism, this study shows how his synthesis of Platonic, Christian, and courtly love influenced the thought of two of his successors, Pietro Bembo and
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其他的實體格式: Online version:
Raffini, Christine.
Marsilio Ficino, Pietro Bembo, Baldassare Castiglione.
New York : P. Lang, ©1998
(OCoLC)654493625
提及的人: Marsilio Ficino; Pietro Bembo; Baldassarre Castiglione, conte; Pietro Bembo; Baldassarre Castiglione, conte; Marsilio Ficino; Pietro Bembo; Baldassare Castiglione; Marsilius Ficinus; Marsilio Ficino; Baldassare Castiglione; Pietro Bembo
資料類型: 傳記
文件類型: 圖書
所有的作者/貢獻者: Christine Raffini
ISBN: 0820430234 9780820430232
OCLC系統控制編碼: 33045100
描述: xii, 173 pages : illustrations ; 24 cm.
内容: Ch. 1. Marsilio Ficino --
Ch. 2. Pietro Bembo --
Ch. 3. Baldassare Castiglione.
叢書名: Renaissance and Baroque studies and texts, v. 21.
責任: Christine Raffini.

摘要:

Marsilio Ficino's ideas on love, cosmology, the contemplative life, and the immortality of the soul transformed Europe, inspiring art and shaping attitudes for centuries to come. After examining his attempts to reconcile Christian authority with Renaissance individualism, this study shows how his synthesis of Platonic, Christian, and courtly love influenced the thought of two of his successors, Pietro Bembo and Baldassare Castiglione.

While the former contributed in large measure to the spread of Petrarchism, which was steadily determining the style and tone of the best poetry of the age, the latter created a work of richness and complexity, which is seen as a representation of the Renaissance itself. Dr. Raffini's overview, meant to address a need among students of Renaissance literature, history, and art, succeeds as well in making these three innovative thinkers accessible and relevant to the general reader.

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