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Martin Scorsese

著者: Lester J Keyser
出版商: New York : Twayne ; Toronto : Maxwell Macmillan ; New York : Macmillan International, ©1992.
丛书: Twayne's filmmakers series.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
No American film director has probed the heart and soul of violence like Martin Scorsese. In films of unbearable intensity, from his breakthrough Mean Streets (1973) through The Age of Innocence (1992), Scorsese has developed as an unflinching observer of twentieth-century America.
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详细书目

类型/形式: Criticism, interpretation, etc
提及的人: Martin Scorsese; Martin Scorsese; Martin Scorsese; Martin Scorsese; Martin Scorsese
文件类型:
所有的著者/提供者: Lester J Keyser
ISBN: 0805793151 9780805793154 0805793216 9780805793215
OCLC号码: 26403348
描述: xvi, 265 p. :ill. ; 23 cm.
内容: From little Italy to seminary to New York University : Scorsese's trinity --
The Mean streets trilogy (1963-1973) --
Alice doesn't live here anymore (1974) --
Taxi driver (1976) --
New York, New York (1977) and The last waltz (1978) --
Raging bull (1980) --
The king of comedy (1982) --
After hours (1985) and The color of money (1986) --
The last temptation of Christ (1988) --
"Life lessons" (1989) and GoodFellas (1990), Cape fear (1991), and The age of innocence (1993).
丛书名: Twayne's filmmakers series.
责任: Les Keyser.
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摘要:

No American film director has probed the heart and soul of violence like Martin Scorsese. In films of unbearable intensity, from his breakthrough Mean Streets (1973) through The Age of Innocence (1992), Scorsese has developed as an unflinching observer of twentieth-century America.

With this book, film scholar Les Keyser undertakes the first full-scale analysis and appreciation of Scorsese's life and films, assessing his emergence as America's preeminent filmmaker. Controversial and difficult, dark and opaque, Scorsese's films have followed an erratic course in the commercial market, including both blockbusters and box-office duds. But he is always honing his craft and deepening his vision. Even in his huge hit Cape Fear (1991), Scorsese successfully gives the commercial Hollywood formula movie a sharp new edge.

Martin Scorsese bursts with fascinating movie lore about the Hollywood scene, including extensive background notes on how the script for the classic Raging Bull (1980) was developed by Scorsese and actor friend Robert de Niro. The full canon of the director's work is studied carefully, including a film that represents a radical departure for the director, a cinematic version of Edith Wharton's turn-of-the-century novel of manners, The Age of Innocence.

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