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Masaccio : Saint Andrew and the Pisa altarpiece

Verfasser/in: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
Verlag: Los Angeles, Calif. : Getty Publications, ©2003.
Serien: Getty Museum studies on art.
Ausgabe/Format   Buch : Biografie : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses  Weiterlesen…
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Gattung/Form: Art
Physisches Format Online version:
Rowlands, Eliot Wooldridge, 1948-
Masaccio.
Los Angeles, Calif. : Getty Publications, c2003
(OCoLC)606986963
Name: Masaccio; Masaccio; Andrew, Apostle Saint; Masaccio; André, l'apôtre saint.; 1401-1428) Masaccio (Künstler, Künstler 1401-1428.; Masaccio (1401-1429).; Masaccio; Masaccio; Masaccio
Medientyp: Biografie, Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
ISBN: 0892362863 9780892362868
OCLC-Nummer: 51992161
Beschreibung: 108 p. : ill. (some col.) ; 24 cm.
Inhalt: Introduction --
Masaccio's life and work --
Masaccio's Pisa altarpiece --
Ser Giuliano and the Carmelites: The patronage of the altarpiece --
The later history of the altarpiece.
Serientitel: Getty Museum studies on art.
Andere Titel Saint Andrew and the Pisa altarpiece
Verfasserangabe: Eliot W. Rowlands.
Weitere Informationen:

Abstract:

"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role church friars played in the actual commission. Finally, after examining the polyptych's various panels, it traces their later history and recounts how art historians came to identify them."--BOOK JACKET.

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