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Masaccio : Saint Andrew and the Pisa altarpiece

Autore: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
Editore: Los Angeles, Calif. : Getty Publications, ©2003.
Serie: Getty Museum studies on art.
Edizione/Formato:   book_printbook : Biography   Computer File : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses  Per saperne di più…
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Dettagli

Genere/forma: Art
Informazioni aggiuntive sul formato: Online version:
Rowlands, Eliot Wooldridge, 1948-
Masaccio.
Los Angeles, Calif. : Getty Publications, ©2003
(OCoLC)606986963
Persona incaricata: Masaccio; Masaccio; Andrew, Apostle Saint; Masaccio; André, l'apôtre saint.; Masaccio; Masaccio; Masaccio (1401-1429).; Masaccio; Masaccio (Künstler
Tipo materiale: Biography, Risorsa internet
Tipo documento: Book, Computer File, Internet Resource
Tutti gli autori / Collaboratori: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
ISBN: 0892362863 9780892362868
Numero OCLC: 51992161
Descrizione: 108 p. : ill. (some col.) ; 24 cm.
Contenuti: Introduction --
Masaccio's life and work --
Masaccio's Pisa altarpiece --
Ser Giuliano and the Carmelites: The patronage of the altarpiece --
The later history of the altarpiece.
Titolo della serie: Getty Museum studies on art.
Altri titoli: Saint Andrew and the Pisa altarpiece
Responsabilità: Eliot W. Rowlands.
Maggiori informazioni:

Abstract:

"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role church friars played in the actual commission. Finally, after examining the polyptych's various panels, it traces their later history and recounts how art historians came to identify them."--Jacket.

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