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Masaccio : Saint Andrew and the Pisa altarpiece

Autor: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
Editora: Los Angeles, Calif. : Getty Publications, ©2003.
Séries: Getty Museum studies on art.
Edição/Formato   Print book : Biografia   Arquivo de Computador : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses  Ler mais...
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Detalhes

Gênero/Forma: Art
Formato Físico Adicional: Online version:
Rowlands, Eliot Wooldridge, 1948-
Masaccio.
Los Angeles, Calif. : Getty Publications, ©2003
(OCoLC)606986963
Pessoa Denominada: Masaccio; Masaccio; Andrew, Apostle Saint; Masaccio; André, l'apôtre saint.; Masaccio; Masaccio; Masaccio (1401-1429).; Masaccio; Masaccio (Künstler
Tipo de Material: Biografia, Recurso Internet
Tipo de Documento: Livro, Arquivo de Computador, Recurso Internet
Todos os Autores / Contribuintes: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
ISBN: 0892362863 9780892362868
Número OCLC: 51992161
Descrição: 108 p. : ill. (some col.) ; 24 cm.
Conteúdos: Introduction --
Masaccio's life and work --
Masaccio's Pisa altarpiece --
Ser Giuliano and the Carmelites: The patronage of the altarpiece --
The later history of the altarpiece.
Título da Série: Getty Museum studies on art.
Outros Títulos: Saint Andrew and the Pisa altarpiece
Responsabilidade: Eliot W. Rowlands.
Mais informações:

Resumo:

"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role church friars played in the actual commission. Finally, after examining the polyptych's various panels, it traces their later history and recounts how art historians came to identify them."--Jacket.

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