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Masaccio : Saint Andrew and the Pisa altarpiece

Author: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
Publisher: Los Angeles, Calif. : Getty Publications, ©2003.
Series: Getty Museum studies on art.
Edition/Format:   Print book : Biography   Computer File : EnglishView all editions and formats
Database:WorldCat
Summary:
"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses  Read more...
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Details

Genre/Form: Art
Additional Physical Format: Online version:
Rowlands, Eliot Wooldridge, 1948-
Masaccio.
Los Angeles, Calif. : Getty Publications, ©2003
(OCoLC)606986963
Named Person: Masaccio; Masaccio; Andrew, Apostle Saint; Masaccio; André, l'apôtre saint.; Masaccio; Masaccio; Masaccio (1401-1429).; Masaccio; Masaccio (Künstler
Material Type: Biography, Internet resource
Document Type: Book, Computer File, Internet Resource
All Authors / Contributors: Eliot Wooldridge Rowlands; Masaccio; J. Paul Getty Museum.
ISBN: 0892362863 9780892362868
OCLC Number: 51992161
Description: 108 p. : ill. (some col.) ; 24 cm.
Contents: Introduction --
Masaccio's life and work --
Masaccio's Pisa altarpiece --
Ser Giuliano and the Carmelites: The patronage of the altarpiece --
The later history of the altarpiece.
Series Title: Getty Museum studies on art.
Other Titles: Saint Andrew and the Pisa altarpiece
Responsibility: Eliot W. Rowlands.
More information:

Abstract:

"This new volume in the Getty Museum's monograph series explores Masaccio's accomplishment as epitomized by the altarpiece of which the Saint Andrew panel once formed a part: The Pisa Altarpiece, one of the truly great polyptychs, or multipaneled paintings, in the history of Italian Renaissance art. It was produced for a chapel in the church of Santa Maria del Carmine in Pisa in 1426. The book also discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role church friars played in the actual commission. Finally, after examining the polyptych's various panels, it traces their later history and recounts how art historians came to identify them."--Jacket.

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