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Masques of difference : four court masques

Auteur : Ben Jonson; Kristen McDermott
Éditeur : Manchester, UK ; New York : Manchester University Press ; New York, NY : Distributed exclusively in the USA by Palgrave, 2007.
Collection : Revels student editions.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques - gorgeous, expensive events that combined music, dance, acting, costume, painting, and the latest theatrical special effects - reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Ben Jonson
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Ben Jonson; Kristen McDermott
ISBN : 9780719057540 071905754X
Numéro OCLC : 148905859
Description : viii, 214 p. : ill. ; 20 cm.
Contenu : The masque of blackness --
The masque of queens --
The Irish masque at court --
The masque of the gypsies metamorphosed.
Titre de collection : Revels student editions.
Autres titres : Masques.
Responsabilité : by Ben Jonson ; edited by Kristen McDermott.

Résumé :

Masques of difference' presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson, which reflect the royal court's self-representation as moral and just, in  Lire la suite...

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Données liées


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schema:reviewBody""Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques - gorgeous, expensive events that combined music, dance, acting, costume, painting, and the latest theatrical special effects - reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylized images of chaotically (and exotically) 'othered' groups - Africans, the Irish, witches, and the homoeroticised figure of the Gypsy." "The introduction offers an interdisciplinary discussion of social/political contexts for an art form that dominated the imaginations of the powerful patrons of English culture, with additional focus on Jonson's own literary careerism. The new annotations offer detailed explications of the imagery and symbolism of the texts, the physical setting and performance of the masques, and behind-the-scenes events and alliances of which their privileged audiences would have been aware." "This edition presents two masques that have received recent attention in the classrooms - The Masque of Blackness and The Masque of Queens - and two that have never before been anthologized for the student reader - The Irish Masque at Court and The Masque of the Gypsies Metamorphosed. This anthology offers students the latest in scholarship and critical theory relevant to a dramatic art form that offers essential clues for understanding the ideologies that shaped many of the modern structures of English culture."--BOOK JACKET."
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