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Matisse Picasso

作者: Henri MatissePablo PicassoElizabeth CowlingTate Modern (Gallery)Galeries nationales du Grand Palais (France); et al; 所有作者
出版商: London : Tate Pub. ; [France] : Réunion des Musées Nationaux ; New York : Museum of Modern Art, 2002.
版本/格式:   圖書 : 英語 : [Ed. to accompany the exhibition]所有版本和格式的總覽
資料庫:WorldCat
提要:
Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters  再讀一些...
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詳細書目

類型/形式: Exhibitions
Expositions
其他的實體格式: Online version:
Matisse Picasso.
London : Tate Pub., 2002
(OCoLC)606799170
提及的人: Henri Matisse; Pablo Picasso; Henri Matisse; Pablo Picasso
文件類型: 圖書
所有的作者/貢獻者: Henri Matisse; Pablo Picasso; Elizabeth Cowling; Tate Modern (Gallery); Galeries nationales du Grand Palais (France); Museum of Modern Art (New York, N.Y.); et al
ISBN: 0870700081 9780870700088 087070009X 9780870700095 1854373927 9781854373922 1854373765 9781854373762
OCLC系統控制編碼: 50758958
注意: "Published to accompany the exhibition at the Museum of Modern Art, New York, 13 February-19 May 2003; Tate Modern, London, 11 May-18 August 2002; Les Galeries Nationales du Grand Palais, Paris, 25 September 2002-6 January 2003"--T.p. verso.
描述: 400 p. : ill. (chiefly col.), ports. ; 32 cm.
内容: Introduction / John Golding --
Catalogue / Anne Baldassari, Elizabeth Cowling, John Elderfield, John Golding, Isabelle Monod-Fontaine, Kirk Varnedoe --
Chronology / Anne Baldassari, Elizabeth Cowling, Claude Laugier, Isabelle Monod-Fontaine.
責任: Elizabeth Cowling ... [et al.].

摘要:

Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition (a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Reunion des musees nationaux/Musee Picasso, and the Musee national d'art moderne/Centre Georges Pompidou, Paris), Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology.

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