跳至内容
Maupassant and the American short story : the influence of form at the turn of the century 線上預覽
關閉線上預覽
正在查...

Maupassant and the American short story : the influence of form at the turn of the century

作者: Richard Fusco
出版商: University Park, Pa. : Pennsylvania State University Press, ©1994.
版本/格式:   圖書 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Maupassant and the American Short Story isolates and develops more fully than any previous study the impact of Maupassant's work on the writing of Ambrose Bierce, O. Henry, Kate Chopin, and Henry James. It introduces a new perspective to assess their canons, reviving the importance of many often-ignored stories and, in the cases of Maupassant and O. Henry, reasserting the necessity of studying such writers to  再讀一些...
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在線上查詢

與資料的連結

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: Criticism, interpretation, etc
History
提及的人: Guy de Maupassant; Guy de Maupassant; Guy de Maupassant; Guy de Maupassant; Guy de Maupassant
資料類型: 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Richard Fusco
ISBN: 0271010819 9780271010816
OCLC系統控制編碼: 27726674
描述: viii, 230 pages ; 24 cm
内容: A Theory on Conte and Structure --
Maupassant and Short-Story Structure --
1. Maupassant and the Simpler Structures of the Short Story --
The Linear Short Story --
The Ironic Coda --
The Surprise-Inversion Story --
The Loop --
2. Maupassant and the More Complex Structures of the Short Story --
The Descending Helical --
The Contrast Story --
The Sinusoidal Story --
3. Maupassant and the American Mainstream --
Maupassant and Bierce --
Maupassant and O. Henry --
4. Maupassant and Chopin --
The Early Stories --
The Translations --
Descending Helicals and the Later Stories --
Sinusoidals and the Later Stories --
5. Maupassant and James --
The Reluctant Disciple --
James and the Contrast Story --
James and the Descending Helical.
責任: Richard Fusco.

摘要:

Maupassant and the American Short Story isolates and develops more fully than any previous study the impact of Maupassant's work on the writing of Ambrose Bierce, O. Henry, Kate Chopin, and Henry James. It introduces a new perspective to assess their canons, reviving the importance of many often-ignored stories and, in the cases of Maupassant and O. Henry, reasserting the necessity of studying such writers to understand the history of the genre. An important moment in the history of the short story occurred with the American misreading of Maupassant's use of story structure. Before the turn of the century, Jonathan Sturges and others published mostly surprise-inversion tales in translation. Especially inspiring Bierce and O. Henry, this skewed sample implied to American writers that Maupassant constructed such plots exclusively. Only a few writers, such as James and Chopin, both of whom read Maupassant in French, appreciated his deft handling of form more fully. Their vision and the impact of Maupassant upon their fiction was largely ignored by later generations of writers who preferred to associate Maupassant and O. Henry with the "trick ending" story. This book details the origins and consequences of this misperception. The book further contributes to the study of the short-story genre. Through an adaptation of Aristotelian concepts, Richard Fusco proposes an original approach to short-story structure, defining and developing seven categories of textual formulas: linear, ironic coda, surprise-inversion, loop, descending helical, contrast, and sinusoidal. As a practitioner of all these forms, Maupassant established his mastery of the genre. By studying his use of form, the book asserts a major reason for his pivotal importance in the historical development of the short story.

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/27726674>
library:oclcnum"27726674"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
rdf:valueUnknown value: gpb
rdf:valueUnknown value: sgp
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"1994"
schema:creator
schema:datePublished"1994"
schema:description"A Theory on Conte and Structure -- Maupassant and Short-Story Structure -- 1. Maupassant and the Simpler Structures of the Short Story -- The Linear Short Story -- The Ironic Coda -- The Surprise-Inversion Story -- The Loop -- 2. Maupassant and the More Complex Structures of the Short Story -- The Descending Helical -- The Contrast Story -- The Sinusoidal Story -- 3. Maupassant and the American Mainstream -- Maupassant and Bierce -- Maupassant and O. Henry -- 4. Maupassant and Chopin -- The Early Stories -- The Translations -- Descending Helicals and the Later Stories -- Sinusoidals and the Later Stories -- 5. Maupassant and James -- The Reluctant Disciple -- James and the Contrast Story -- James and the Descending Helical."@en
schema:description"Maupassant and the American Short Story isolates and develops more fully than any previous study the impact of Maupassant's work on the writing of Ambrose Bierce, O. Henry, Kate Chopin, and Henry James. It introduces a new perspective to assess their canons, reviving the importance of many often-ignored stories and, in the cases of Maupassant and O. Henry, reasserting the necessity of studying such writers to understand the history of the genre. An important moment in the history of the short story occurred with the American misreading of Maupassant's use of story structure. Before the turn of the century, Jonathan Sturges and others published mostly surprise-inversion tales in translation. Especially inspiring Bierce and O. Henry, this skewed sample implied to American writers that Maupassant constructed such plots exclusively. Only a few writers, such as James and Chopin, both of whom read Maupassant in French, appreciated his deft handling of form more fully. Their vision and the impact of Maupassant upon their fiction was largely ignored by later generations of writers who preferred to associate Maupassant and O. Henry with the "trick ending" story. This book details the origins and consequences of this misperception. The book further contributes to the study of the short-story genre. Through an adaptation of Aristotelian concepts, Richard Fusco proposes an original approach to short-story structure, defining and developing seven categories of textual formulas: linear, ironic coda, surprise-inversion, loop, descending helical, contrast, and sinusoidal. As a practitioner of all these forms, Maupassant established his mastery of the genre. By studying his use of form, the book asserts a major reason for his pivotal importance in the historical development of the short story."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/365084243>
schema:genre"History"@en
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Maupassant and the American short story : the influence of form at the turn of the century"@en
schema:publication
schema:publisher
schema:workExample
wdrs:describedby

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.