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Maurice Maeterlinck and the making of modern theatre

Autor: Patrick McGuinness
Editorial: Oxford ; New York : Oxford University Press, 2000.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"This is a study of one of theatre's quietest but most radical innovators. The playwright, poet, and essayist Maurice Maeterlinck (1862-1949) has been called the 'prodigal father' of the theatre of the Absurd. Admired by writers as diverse as Mallarme and Yeats, Artaud and Strindberg, Chekhov and Jarry, Maeterlinck was the most celebrated avant-garde playwright of his day. By 1900 he had given theatre a new set of  Leer más
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Género/Forma: Criticism, interpretation, etc
Formato físico adicional: Online version:
McGuinness, Patrick.
Maurice Maeterlinck and the making of modern theatre.
Oxford ; New York : Oxford University Press, 2000
(OCoLC)606278194
Persona designada: Maurice Maeterlinck; Maurice Maeterlinck; Maurice Maeterlinck; Maurice Maeterlinck
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Patrick McGuinness
ISBN: 0198159773 9780198159773
Número OCLC: 42038871
Descripción: viii, 270 p. ; 23 cm.
Contenido: Symbolist beginnings --
La Princesse Maleine and Symbolist theatre --
Maeterlinck, Mallarmé, and Symbolist dramatic theory --
Theatre and the invisible principle: Pelléas et Mélisande --
Using the stage --
The fecund interval: 'Le tragique quotidien.'
Responsabilidad: Patrick McGuinness.
Más información:

Resumen:

A study of one of theatre's quietest but most radical innovators, the playwright, poet, and essayist Maurice Maeterlinck described as "the prodigal father of the Theatre of the Absurd". This work is  Leer más

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McGuiness's book would be worth reading for the last two chapters alone, but the whole is a major contribution to understanding of Maeterlinck's drama both in itself and as mediation between Leer más

 
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schema:reviewBody""This is a study of one of theatre's quietest but most radical innovators. The playwright, poet, and essayist Maurice Maeterlinck (1862-1949) has been called the 'prodigal father' of the theatre of the Absurd. Admired by writers as diverse as Mallarme and Yeats, Artaud and Strindberg, Chekhov and Jarry, Maeterlinck was the most celebrated avant-garde playwright of his day. By 1900 he had given theatre a new set of bearings: 'static theatre', the 'theatre of the unexpressed', and the 'tragic of the everyday'. He had, according to Rilke, relocated theatre's centre of gravity, replacing action with inaction, events with the eventless, and dialogue with a semantics of silence as expressive as any of Symbolism's most sophisticated poetic constructions."--BOOK JACKET."
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