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Maurice Maeterlinck and the making of modern theatre

저자: Patrick McGuinness
출판사: Oxford ; New York : Oxford University Press, 2000.
판/형식:   도서 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"This is a study of one of theatre's quietest but most radical innovators. The playwright, poet, and essayist Maurice Maeterlinck (1862-1949) has been called the 'prodigal father' of the theatre of the Absurd. Admired by writers as diverse as Mallarme and Yeats, Artaud and Strindberg, Chekhov and Jarry, Maeterlinck was the most celebrated avant-garde playwright of his day. By 1900 he had given theatre a new set of  더 읽기…
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추가적인 물리적 형식: Online version:
McGuinness, Patrick.
Maurice Maeterlinck and the making of modern theatre.
Oxford ; New York : Oxford University Press, 2000
(OCoLC)606278194
명시된 사람: Maurice Maeterlinck; Maurice Maeterlinck; Maurice Maeterlinck
문서 형식:
모든 저자 / 참여자: Patrick McGuinness
ISBN: 0198159773 9780198159773
OCLC 번호: 42038871
설명: viii, 270 p. ; 23 cm.
내용: Symbolist beginnings --
La Princesse Maleine and Symbolist theatre --
Maeterlinck, Mallarmé, and Symbolist dramatic theory --
Theatre and the invisible principle: Pelléas et Mélisande --
Using the stage --
The fecund interval: 'Le tragique quotidien.'
책임: Patrick McGuinness.

초록:

"This is a study of one of theatre's quietest but most radical innovators. The playwright, poet, and essayist Maurice Maeterlinck (1862-1949) has been called the 'prodigal father' of the theatre of the Absurd. Admired by writers as diverse as Mallarme and Yeats, Artaud and Strindberg, Chekhov and Jarry, Maeterlinck was the most celebrated avant-garde playwright of his day. By 1900 he had given theatre a new set of bearings: 'static theatre', the 'theatre of the unexpressed', and the 'tragic of the everyday'. He had, according to Rilke, relocated theatre's centre of gravity, replacing action with inaction, events with the eventless, and dialogue with a semantics of silence as expressive as any of Symbolism's most sophisticated poetic constructions."--BOOK JACKET.

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