doorgaan naar inhoud
Maurice Maeterlinck and the making of modern theatre Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Maurice Maeterlinck and the making of modern theatre

Auteur: Patrick McGuinness
Uitgever: Oxford ; New York : Oxford University Press, 2000.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"This is a study of one of theatre's quietest but most radical innovators. The playwright, poet, and essayist Maurice Maeterlinck (1862-1949) has been called the 'prodigal father' of the theatre of the Absurd. Admired by writers as diverse as Mallarme and Yeats, Artaud and Strindberg, Chekhov and Jarry, Maeterlinck was the most celebrated avant-garde playwright of his day. By 1900 he had given theatre a new set of  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: Criticism, interpretation, etc
Aanvullende fysieke materiaalsoort: Online version:
McGuinness, Patrick.
Maurice Maeterlinck and the making of modern theatre.
Oxford ; New York : Oxford University Press, 2000
(OCoLC)606278194
Genoemd persoon: Maurice Maeterlinck; Maurice Maeterlinck; Maurice Maeterlinck; Maurice Maeterlinck
Soort document: Boek
Alle auteurs / medewerkers: Patrick McGuinness
ISBN: 0198159773 9780198159773
OCLC-nummer: 42038871
Beschrijving: viii, 270 p. ; 23 cm.
Inhoud: Symbolist beginnings --
La Princesse Maleine and Symbolist theatre --
Maeterlinck, Mallarmé, and Symbolist dramatic theory --
Theatre and the invisible principle: Pelléas et Mélisande --
Using the stage --
The fecund interval: 'Le tragique quotidien.'
Verantwoordelijkheid: Patrick McGuinness.
Meer informatie:

Fragment:

A study of one of theatre's quietest but most radical innovators, the playwright, poet, and essayist Maurice Maeterlinck described as "the prodigal father of the Theatre of the Absurd". This work is  Meer lezen...

Beoordelingen

Professionele beoordelingen

Synopsis uitgever

McGuiness's book would be worth reading for the last two chapters alone, but the whole is a major contribution to understanding of Maeterlinck's drama both in itself and as mediation between Meer lezen...

 
Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/42038871>
library:oclcnum"42038871"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/42038871>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2000"
schema:description"Symbolist beginnings -- La Princesse Maleine and Symbolist theatre -- Maeterlinck, Mallarmé, and Symbolist dramatic theory -- Theatre and the invisible principle: Pelléas et Mélisande -- Using the stage -- The fecund interval: 'Le tragique quotidien.'"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/34562597>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Maurice Maeterlinck and the making of modern theatre"@en
schema:numberOfPages"270"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/42038871>
schema:reviewBody""This is a study of one of theatre's quietest but most radical innovators. The playwright, poet, and essayist Maurice Maeterlinck (1862-1949) has been called the 'prodigal father' of the theatre of the Absurd. Admired by writers as diverse as Mallarme and Yeats, Artaud and Strindberg, Chekhov and Jarry, Maeterlinck was the most celebrated avant-garde playwright of his day. By 1900 he had given theatre a new set of bearings: 'static theatre', the 'theatre of the unexpressed', and the 'tragic of the everyday'. He had, according to Rilke, relocated theatre's centre of gravity, replacing action with inaction, events with the eventless, and dialogue with a semantics of silence as expressive as any of Symbolism's most sophisticated poetic constructions."--BOOK JACKET."
schema:url
schema:workExample

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.