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|Genre/Form:||Criticism, interpretation, etc|
|Additional Physical Format:||Online version:
Wattenmaker, Richard J.
New York : Harry N. Abrams in association with the National Museum of American Art, Smithsonian Institution, 1994
|Named Person:||Maurice Prendergast; Maurice Brazil Prendergast; Maurice Prendergast; Maurice Brazil Prendergast|
|All Authors / Contributors:||
Richard J Wattenmaker; Maurice Prendergast
|Notes:||Spine title: Prendergast.|
|Description:||160 p. : ill. (some col.) ; 32 cm.|
|Series Title:||Library of American art (Harry N. Abrams, Inc.)|
|Responsibility:||Richard J. Wattenmaker.|
This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots," and participated in the Armory Show.
His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom.
- Prendergast, Maurice, -- 1858-1924 -- Criticism and interpretation.
- Prendergast, Maurice Brazil, -- 1859-1924.
- Prendergast, Maurice, -- 1858-1924
- Prendergast, Maurice Brazil, -- (1858-1924) -- Critique et interprétation.
- Prendergast, Maurice Brazil -- 1858-1924 -- Criticism and interpretation