コンテンツへ移動
The mechanical smile : modernism and the first fashion shows in France and America 1900-1929 資料のプレビュー
閉じる資料のプレビュー
確認中…

The mechanical smile : modernism and the first fashion shows in France and America 1900-1929

著者: Caroline Evans
出版: New Haven : Yale University Press, [2013] ©2013
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
In the early 20th century, the desire to see clothing in motion flourished on both sides of the Atlantic: models tangoed, slithered, swaggered, and undulated before customers in couture houses and department stores. The Mechanical Smile traces the history of the earliest fashion shows in France and the United States from their origins in the 1880s to 1929, situating them in the context of modernism and the  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: History
ドキュメントの種類: 図書
すべての著者/寄与者: Caroline Evans
ISBN: 9780300189537 0300189532
OCLC No.: 809925932
物理形態: 331 pages : illustrations (some color) ; 29 cm
コンテンツ: Introduction --
Prehistory: nineteenth century fashion modelling --
Paris 1900-1914: the rationalization of the body --
1900-1914: French fashion on the world stage --
America 1900-1917: show business --
1914-1919: wartime Paris and the nationalization of the body --
1919-1929: fashion in motion --
Architecture: factories of elegance --
Audiences: the commerce of the look --
Objects: industrial smiles --
Prolepsis: future bodies --
Movement: the mannequin walk --
Flow: the mannequin pose --
Postscript: balancing the books: between the legacy of the fashion show and the inheritance of the mannequin.
責任者: Caroline Evans.

概要:

Traces history of earliest fashion shows in France and United States from their origins in 1880s to 1929, situating them in the context of modernism and the rationalization of the body. This book  続きを読む

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/809925932>
library:oclcnum"809925932"
library:placeOfPublication
owl:sameAs<info:oclcnum/809925932>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2013"
schema:creator
schema:datePublished"2013"
schema:description"In the early 20th century, the desire to see clothing in motion flourished on both sides of the Atlantic: models tangoed, slithered, swaggered, and undulated before customers in couture houses and department stores. The Mechanical Smile traces the history of the earliest fashion shows in France and the United States from their origins in the 1880s to 1929, situating them in the context of modernism and the rationalization of the body. Fashion shows came into being concurrently with film, and this book explores the connections between fashion and early cinema, which arguably functioned as what Walter Benjamin called "new velocities"--forces that altered the rhythms of modern life. Using significant new archival evidence, The Mechanical Smile shows how so-called "mannequin parades" employed the visual language of modernism to translate business and management methods into visual seduction. Caroline Evans, a leading fashion historian, argues for an expanded definition of modernism as both gestural and performative, drawing on literary and performance theory rather than relying on art and design history. The fashion show, Evans posits, is a singular nodal point where the disparate histories of commerce, modernism, gender, and the body converge."@en
schema:description"Introduction -- Prehistory: nineteenth century fashion modelling -- Paris 1900-1914: the rationalization of the body -- 1900-1914: French fashion on the world stage -- America 1900-1917: show business -- 1914-1919: wartime Paris and the nationalization of the body -- 1919-1929: fashion in motion -- Architecture: factories of elegance -- Audiences: the commerce of the look -- Objects: industrial smiles -- Prolepsis: future bodies -- Movement: the mannequin walk -- Flow: the mannequin pose -- Postscript: balancing the books: between the legacy of the fashion show and the inheritance of the mannequin."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1167692487>
schema:genre"History"@en
schema:genre"History."@en
schema:inLanguage"en"
schema:name"The mechanical smile : modernism and the first fashion shows in France and America 1900-1929"@en
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBB310686>

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.