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Media spectacle

著者: Douglas Kellner
出版商: London ; New York : Routledge, 2003.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
During the mid-1990s, the O.J. Simpson murder trials dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to cultural critic and scholar Douglas Kellner, the Simpson case was just one example of what the  再读一些...
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详细书目

附加的形体格式: Online version:
Kellner, Douglas, 1943-
Media spectacle.
London ; New York : Routledge, 2003
(OCoLC)606931111
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Douglas Kellner
ISBN: 0415268281 9780415268288 041526829X 9780415268295 9780203166383 0203166388
OCLC号码: 50252061
描述: xiii, 192 p. ; 24 cm.
内容: Media culture and the triumph of the spectacle --
Commodity spectacle: McDonald's as global culture --
The sports spectacle, Michael Jordan, and Nike --
Megaspectacle: the O.J. Simpson murder trial --
TV spectacle: aliens, conspiracies, and biotechnology in The X-Files --
Presidential politics, the movie.
责任: Douglas Kellner.
更多信息:

摘要:

During the mid-1990s, the O.J. Simpson murder trials dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to cultural critic and scholar Douglas Kellner, the Simpson case was just one example of what the author calls 'media spectacle' -- a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles -- including Elvis, the X Files, Michael Jordan, and the Bill Clinton sex scandals - Kellner's insightful and fascinating book draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. Media Spectacle is a brilliant dissection of contemporary society; its ongoing appetite for scandal, tragedy and perversion; and the new technologies and media that strive to feed this immense hunger. This is cultural criticism and media analysis at its best.

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