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Mediated Geographies and Geographies of Media.

Author: Susan P Mains; Julie Cupples; Chris Lukinbeal
Publisher: Dordrecht : Springer Netherlands, 2015.
Edition/Format:   Print book : Document   Computer File : EnglishView all editions and formats
Summary:
This anthology is the first comprehensive volume to explore and engage with current trends in Geographies of Media research. It reviews how conceptualizations of mediated geographies have evolved. Followed by an examination of diverse media contexts and locales, the book illustrates key issues through the integration of theoretical and empirical case studies, and reflects on the future challenges and opportunities  Read more...
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Genre/Form: Electronic books
Material Type: Document
Document Type: Book, Computer File
All Authors / Contributors: Susan P Mains; Julie Cupples; Chris Lukinbeal
ISBN: 9401799687 9789401799683
OCLC Number: 956730947
Notes: Monitoring Reconstruction.
Description: 1 online resource (459 pages)
Contents: Section I Introducing Mediated Geographies and Geographies of Media; 1 Introducing Mediated Geographies and Geographies of Media; Susan P. Mains, University of Dundee; Chris Lukinbeal, University of Arizona; Julie Cupples, University of Edinburgh; Chapter Organisation; References; 2 Film Geography: A Review and Prospectus; Author-Centered Approach; Text-Centered Approach; Three Approaches to the Real/Reel Binary; Reader-Centered Approach; The Viewing Subject; Conclusion; References; 3 TV and the Spaces of Everyday Life; Domestic Space and Family Intimacy. Home Theaters and Suburban TownsMobile Privatization and Virtual Travel; Liveness, Telepresence, and Spatial De-realization; From Mobile to Everywhere TV; Locating TV Studies; References; 4 Cultural Industries and the (Geographical) Political Economy of the Media; Geographies of Production (Proposition 1); From the Local to the Global (Proposition 2); Creative Labor, Monopoly Rent and Public Goods (Proposition 3); Consolidation and Centralization (Proposition 4); Copyrighting Scarcity (Proposition 5); Territorializing Scarcity (Proposition 6); The Attention Economy (Proposition 7). The Culture Industry (Proposition 8)Political Economies of Time and Space (Proposition 9); The Role of the State (Proposition 10); Conclusion; References; 5 A Brief History of Mediated, Sensational and VirtualGeographies; Truth as a Moment of Falsehood; Critical Theories and Complex Political Orientations; Virtual and Digital Effects; Material Affects; Producing Media; Mediating Spaces; Continuing Spatialities and Cartographies; References; Section II Media Production and Place; 6 Chinese Cinema Cities: From the Margins to the MiddleKingdom; Understanding Media Capital. Characteristics of Media CapitalsContested Capital, Contested Identities; Conclusion; References; 7 US Television Travels Abroad: Global TV and the Formatting Trend; The Ubiquity of US Television; Global Formats; The International Distributors; Homogenization or Localization?; Active Audiences and the Question of Place; Conclusion; References; 8 Geographies of the News; Introduction: Journalism as a Practice of Cartography; Comparing News Reporting to Map-Making; Mediating Community; The Maps of the News; Why News Geographies Matter; References. 9 Remember the Alamo: A Place of Cinematic ExperienceFramework; Constructing the Alamo; Programming the Alamo; Sing-Along; Quote-Along; Heckle-Vision; Food and Film Events; The Master Pancake Theater; Videoke; Open Screen Night; Celebrity Guest; Rolling Roadshow; Remembering the Alamo, Ironically; References; Section III Transforming Geospatial Technologies and Media Cartographies; 10 Vertical Mediation: Geospatial Imagery and the US Wars in Afghanistan and Iraq; The Microphysics of Geospatial Imagery; Remediating Afghanistan and Iraq; Mediascaping; Resource Speculation.

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