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Medieval music-making and the Roman de Fauvel

Author: Emma Dillon
Publisher: Cambridge ; New York : Cambridge University Press, 2002.
Series: New perspectives in music history and criticism.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"This book explores the role of music in the early fourteenth-century French manuscript Bibliotheque nationale de France, fr. 146. The repertories found in this manuscript, particularly those interpolated into the Old French satire, the Roman de Fauvel, are frequently used to illuminate the wider history of French medieval music. This study sets the manuscript against the wider culture of Parisian book-making,
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Named Person: Chaillou, de Pestain; Gervais, du Bus; Gervais, du Bus; Gervais <du Bus>; Chaillou <de Pesstain>; Philippe, de Vitry.
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Emma Dillon
ISBN: 0521813719 9780521813716
OCLC Number: 47930710
Notes: Originally presented as the author's thesis (doctoral).
Description: xiii, 304 pages : illustrations ; 24 cm.
Contents: Contexts --
Music and the book: approaches to the interpretation of manuscripts --
Chaillou's authorial presence --
Interpolation: the conquest of the parchment --
Author and scribe: a compiler for fr. 146 --
Music and the narratives of compilation --
Poetic uses of song space.
Series Title: New perspectives in music history and criticism.
Responsibility: Emma Dillon.
More information:

Abstract:

"This book explores the role of music in the early fourteenth-century French manuscript Bibliotheque nationale de France, fr. 146. The repertories found in this manuscript, particularly those interpolated into the Old French satire, the Roman de Fauvel, are frequently used to illuminate the wider history of French medieval music. This study sets the manuscript against the wider culture of Parisian book-making, showing how in devising new systems of design and folio layout, its creators developed a new kind of materiality in music: it illustrates how music is expressive in ways that are unperformable apart from its visual representation.

This study is primarily concerned with the workings of fr. 146; however, it also argues that the new attitudes to (material) music-making embodied in that manuscript serve as a model for exploring other music manuscripts to emerge in late medieval France."--Jacket.

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