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Medieval Shakespeare : pasts and presents

作者: Ruth Morse; Helen Cooper; Peter Holland
出版商: Cambridge ; New York : Cambridge University Press, 2013.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"For many, Shakespeare represents the advent of modernity. It is easy to forget that he was in fact a writer deeply embedded in the Middle Ages, who inherited many of his shaping ideas and assumptions from the medieval past. This collection brings together essays by internationally renowned scholars of medieval and early modern literature, the history of the book and theatre history to present new perspectives on  再讀一些...
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詳細書目

提及的人: William Shakespeare; William Shakespeare; William Shakespeare
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Ruth Morse; Helen Cooper; Peter Holland
ISBN: 9781107016279 1107016274
OCLC系統控制編碼: 811137266
描述: xiv, 263 pages : illustrations ; 24 cm
内容: Machine generated contents note: Introduction Helen Cooper; Part I. The Middle Ages and Shakespeare: 1. Shakespeare's Middle Ages Bruce R. Smith; 2. Late Shakespeare and the Middle Ages Bart van Es; Part II. Books and Language: 3. The mediated 'medieval' and Shakespeare A. E. B. Coldiron; 4. 'Not know my voice?': Shakespeare corrected; English perfected --
theories of language from the Middle Ages to Modernity Jonathan Hope; 5. The afterlife of personification Helen Cooper; Part III. The British Past: 6. 'King Lear in BC Albion' Margreta de Grazia; 7. Shakespeare and the remains of Britain Ruth Morse; Part IV. The Theatrical Dimension: 8. The art of playing Tom Bishop; 9. Blood begetting blood: Shakespeare and the Mysteries Michael O'Connell; 10. From scaffold to discovery-space: change and continuity Janette Dillon; 11. Performing the Middle Ages Peter Holland; 12. Afterword: the evil of 'medieval' David Bevington.
責任: edited by Ruth Morse, Helen Cooper, and Peter Holland.
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This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.  再讀一些...

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'A fascinating dialogue between two literary periods.' The Times Literary Supplement

 
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