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Mendelssohn in performance

作者: Siegwart Reichwald
出版商: Bloomington : Indiana University Press, ©2008.
版本/格式:   圖書 : 傳記 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"While recent studies have aided greatly in gaining a fuller understanding of Mendelssohn's life and work, no serious attempt has been made to capture Mendelssohn's approach to performing. Essays in this book explore many aspects of Mendelssohn's multi-faceted career as musician and how it intersected with his work as composer." "Contributors discuss practical issues of music making such as performance space,  再讀一些...
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詳細書目

類型/形式: History
其他的實體格式: Online version:
Mendelssohn in performance.
Bloomington : Indiana University Press, c2008
(OCoLC)639424869
提及的人: Felix Mendelssohn-Bartholdy; Mendelssohn-Bartholdy; Felix Mendelssohn Bartholdy; Felix Mendelssohn-Bartholdy
資料類型: 傳記, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Siegwart Reichwald
ISBN: 9780253351999 0253351995
OCLC系統控制編碼: 216935814
描述: x, 260 p. : ill. ; 24 cm.
内容: Mendelssohn's audience / Douglass Seaton --
Mendelssohn and the piano / Kenneth Hamilton --
Mendelssohn and the organ / Peter Ward Jones --
The performance of Mendelssohn's chamber and solo music for violin / Clive Brown --
Mendelssohn and the orchestra / David Milsom --
Mendelssohn as composer/conductor: early performances of Paulus / Siegwart Reichwald --
From drawing room to theater: performance traditions of Mendelssohn's stage works / Monika Hennemann --
Mendelssohn and the performance of Handel's vocal works / Ralf Wehner --
From notation to edition to performance: issues in interpretation / John Michael Cooper --
Mendelssohn's tempo indications / Siegwart Reichwald --
For you see I am the eternal objector: on performing Mendelssohn's music in translation / John Michael Cooper.
責任: edited by Siegwart Reichwald ; foreword by Christopher Hogwood.
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摘要:

Exploring many aspects of Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, this work discusses practical issues of music making such as: performance  再讀一些...

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"... fresh insights into the practicalities of performing one of the most familiar, yet misunderstood figures of European classical music." R. Larry Todd, Duke University

 
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