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Mesmerism and Hawthorne : mediums of American romance

Author: Samuel Coale
Publisher: Tuscaloosa : University of Alabama Press, ©1998.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
Summary:
In Mesmerism and Hawthorne, Coale examines the mesmerist-spiritualist craze and relates it specifically to the way in which Hawthorne wrote fiction. Although many critics have discussed mesmerism as a theme in Hawthorne's work, few have analyzed the use of mesmerism as an influence on the very structure and texture of that work. For Hawthorne, mesmerism provided a fertile circumstance, complete with its sense of
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Additional Physical Format: Online version:
Coale, Samuel.
Mesmerism and Hawthorne.
Tuscaloosa : University of Alabama Press, c1998
(OCoLC)605373176
Named Person: Nathaniel Hawthorne; Nathaniel Hawthorne; Nathaniel Hawthorne; Nathaniel Hawthorne; Nathaniel Hawthorne
Material Type: Government publication, State or province government publication
Document Type: Book
All Authors / Contributors: Samuel Coale
ISBN: 0817308962 9780817308964
OCLC Number: 36521043
Description: xvi, 197 p. ; 23 cm.
Contents: 1. Hawthorne's Medium of Romance and the Spell of Mesmerism --
2. The Mesmerist's Gaze and Hawthorne's Psychology of Idolatry in the Tales --
3. The Spell of the Scarlet Letter: A Mesmeric Mystery --
4. The Haunted House That Mesmerism Built --
5. The False and Mesmerized Consciousness of the Blithedale Theater --
6. Fragments of a Shattered Faun in a Realm-of-Roman Ruin --
7. In Search of "the true key-note of this romance": The Unfinished Manuscripts --
Epilogue: The Realm of Romance.
Responsibility: Samuel Chase Coale.

Abstract:

In Mesmerism and Hawthorne, Coale examines the mesmerist-spiritualist craze and relates it specifically to the way in which Hawthorne wrote fiction. Although many critics have discussed mesmerism as a theme in Hawthorne's work, few have analyzed the use of mesmerism as an influence on the very structure and texture of that work. For Hawthorne, mesmerism provided a fertile circumstance, complete with its sense of enchantment and the necessity of breaking its spell. The powers and techniques of mesmerism offered Hawthorne a way of describing the fiction he was trying to create. In effect what he described as the romance participates in the very acts of mesmerism it invokes and thematically or morally opposes.

Thus, in creating his romances, Hawthorne employed his own mesmerist-like strategies in texts that participate in the very medium he abhorred. In effect, Coale concludes, Hawthorne's romances constitute a form of mesmeric expression themselves. Coale's examination of the processes of mesmerism - the creation of the trance, the entry into its dreamlike state, the psychology of idolatry produced by this procedure - clearly reveals the affinities between mesmerism and Hawthorne's art and discloses the power and scope of Hawthorne's distinctly American romance.

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