passa ai contenuti
Metric displacement of Tony Williams' early career Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Metric displacement of Tony Williams' early career

Autore: Seth A Rogers; Dana School of Music.
Editore: 2010.
Tesi: Thesis (M.M.)--Youngstown State University, 2010.
Edizione/Formato:   Tesi/dissertazione : Thesis/dissertation : Manuscript   Archival Material : English
Banca dati:WorldCat
Sommario:
Jazz drummer Tony Williams' musical and technical abilities surpassed those of his contemporaries, allowing him to push the boundaries of the music he played. This was especially true at fast tempi. Through transcription and analysis of Williams' phrasing, this study identifies the ways he obscured pulse, meter, and form. He used three major techniques to do so: accent variation, accentual shift, and metric  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia online

Collegamenti a questo documento

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Tony Williams; Tony Williams
Tipo materiale: Thesis/dissertation, Manuscript, Risorsa internet
Tipo documento: Book, Archival Material, Internet Resource
Tutti gli autori / Collaboratori: Seth A Rogers; Dana School of Music.
Numero OCLC: 654124820
Descrizione: iv, 40 leaves : ill., music ; 29 cm.
Responsabilità: by Seth A. Rogers.

Abstract:

Jazz drummer Tony Williams' musical and technical abilities surpassed those of his contemporaries, allowing him to push the boundaries of the music he played. This was especially true at fast tempi. Through transcription and analysis of Williams' phrasing, this study identifies the ways he obscured pulse, meter, and form. He used three major techniques to do so: accent variation, accentual shift, and metric superimposition. The examples within this study demonstrate both a regular formal structure as well as a clearly articulated macro-beat from the walking bass line. In using the aforementioned techniques, Williams created a variety of rhythmic displacement that occurs not only at metric levels, but formal as well. Williams was not the first drummer to use these techniques, but what is especially significant is his use of them at such fast tempi. The two songs represented throughout each come from the first year of Williams' professional recording career. While only seventeen at the time, his playing demonstrates a clear technical leap on the instrument over his contemporaries. These concepts of metric displacement became a hallmark of Williams' playing throughout his entire career, and helped to establish him as one of jazz drumming's most significant contributors..

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/654124820>
library:oclcnum"654124820"
owl:sameAs<info:oclcnum/654124820>
rdf:typeschema:Book
rdf:typej.1:Thesis
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:creator
schema:datePublished"2010"
schema:description"Jazz drummer Tony Williams' musical and technical abilities surpassed those of his contemporaries, allowing him to push the boundaries of the music he played. This was especially true at fast tempi. Through transcription and analysis of Williams' phrasing, this study identifies the ways he obscured pulse, meter, and form. He used three major techniques to do so: accent variation, accentual shift, and metric superimposition. The examples within this study demonstrate both a regular formal structure as well as a clearly articulated macro-beat from the walking bass line. In using the aforementioned techniques, Williams created a variety of rhythmic displacement that occurs not only at metric levels, but formal as well. Williams was not the first drummer to use these techniques, but what is especially significant is his use of them at such fast tempi. The two songs represented throughout each come from the first year of Williams' professional recording career. While only seventeen at the time, his playing demonstrates a clear technical leap on the instrument over his contemporaries. These concepts of metric displacement became a hallmark of Williams' playing throughout his entire career, and helped to establish him as one of jazz drumming's most significant contributors.."
schema:exampleOfWork<http://worldcat.org/entity/work/id/565240485>
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"Metric displacement of Tony Williams' early career"
schema:url

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.