doorgaan naar inhoud
Metric displacement of Tony Williams' early career Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Metric displacement of Tony Williams' early career

Auteur: Seth A Rogers; Dana School of Music.
Uitgever: 2010.
Proefschrift: Thesis (M.M.)--Youngstown State University, 2010.
Editie/Formaat:   Scriptie/Proefschrift : Scriptie/Dissertatie : Manuscript   Archiefmateriaal : Engels
Database:WorldCat
Samenvatting:
Jazz drummer Tony Williams' musical and technical abilities surpassed those of his contemporaries, allowing him to push the boundaries of the music he played. This was especially true at fast tempi. Through transcription and analysis of Williams' phrasing, this study identifies the ways he obscured pulse, meter, and form. He used three major techniques to do so: accent variation, accentual shift, and metric  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een online exemplaar

Links naar dit item

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: Criticism, interpretation, etc
Genoemd persoon: Tony Williams; Tony Williams
Genre: Scriptie/Dissertatie, Manuscript, Internetbron
Soort document: Boek, Archiefmateriaal, Internetbron
Alle auteurs / medewerkers: Seth A Rogers; Dana School of Music.
OCLC-nummer: 654124820
Beschrijving: iv, 40 leaves : ill., music ; 29 cm.
Verantwoordelijkheid: by Seth A. Rogers.

Fragment:

Jazz drummer Tony Williams' musical and technical abilities surpassed those of his contemporaries, allowing him to push the boundaries of the music he played. This was especially true at fast tempi. Through transcription and analysis of Williams' phrasing, this study identifies the ways he obscured pulse, meter, and form. He used three major techniques to do so: accent variation, accentual shift, and metric superimposition. The examples within this study demonstrate both a regular formal structure as well as a clearly articulated macro-beat from the walking bass line. In using the aforementioned techniques, Williams created a variety of rhythmic displacement that occurs not only at metric levels, but formal as well. Williams was not the first drummer to use these techniques, but what is especially significant is his use of them at such fast tempi. The two songs represented throughout each come from the first year of Williams' professional recording career. While only seventeen at the time, his playing demonstrates a clear technical leap on the instrument over his contemporaries. These concepts of metric displacement became a hallmark of Williams' playing throughout his entire career, and helped to establish him as one of jazz drumming's most significant contributors..

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/654124820>
library:oclcnum"654124820"
owl:sameAs<info:oclcnum/654124820>
rdf:typeschema:Book
rdf:typej.1:Thesis
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:creator
schema:datePublished"2010"
schema:description"Jazz drummer Tony Williams' musical and technical abilities surpassed those of his contemporaries, allowing him to push the boundaries of the music he played. This was especially true at fast tempi. Through transcription and analysis of Williams' phrasing, this study identifies the ways he obscured pulse, meter, and form. He used three major techniques to do so: accent variation, accentual shift, and metric superimposition. The examples within this study demonstrate both a regular formal structure as well as a clearly articulated macro-beat from the walking bass line. In using the aforementioned techniques, Williams created a variety of rhythmic displacement that occurs not only at metric levels, but formal as well. Williams was not the first drummer to use these techniques, but what is especially significant is his use of them at such fast tempi. The two songs represented throughout each come from the first year of Williams' professional recording career. While only seventeen at the time, his playing demonstrates a clear technical leap on the instrument over his contemporaries. These concepts of metric displacement became a hallmark of Williams' playing throughout his entire career, and helped to establish him as one of jazz drumming's most significant contributors.."
schema:exampleOfWork<http://worldcat.org/entity/work/id/565240485>
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"Metric displacement of Tony Williams' early career"
schema:url

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.