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Michelangelo : paintings, sculptures, architecture : complete edition

著者: Michelangelo Buonarroti; Ludwig Goldscheider
出版商: London : Phaidon, 1975.
版本/格式:   Print book : 英语 : 5th ed查看所有的版本和格式
数据库:WorldCat
提要:
First published in 1953, this book remains a classic piece of literature on the work and life of Michelangelo (1475-1564). It continues to be the only volume to contain illustrations of all his paintings, sculpture and architecture. The book is designed to serve both the student and the art lover: the fine quality reproductions emphatically illustrate Michelangelo's genius, while the text surveys the ideas and  再读一些...
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详细书目

提及的人: Michelangelo Buonarroti; Michel-Ange; Michelangelo Buonarroti
文件类型:
所有的著者/提供者: Michelangelo Buonarroti; Ludwig Goldscheider
ISBN: 0714816604 9780714816609
OCLC号码: 2931291
注意: Distributed by Praeger, New York.
描述: 263, [1] pages, [9] pages of color plates : illustrations (some color) ; 32 cm
内容: Foreward --
Biographical conspectus --
Catalogue --
Bibliography --
The plates --
Appendix of plates --
Appendix of notes: Models in wax and clay --
Lost works of Michelangelo --
Attributions --
Notes on the appendix of plates --
Index to the plates.
责任: [text] by Ludwig Goldscheider.

摘要:

First published in 1953, this book remains a classic piece of literature on the work and life of Michelangelo (1475-1564). It continues to be the only volume to contain illustrations of all his paintings, sculpture and architecture. The book is designed to serve both the student and the art lover: the fine quality reproductions emphatically illustrate Michelangelo's genius, while the text surveys the ideas and theses of the world's leading scholars on the painting, sculpture and architecture of Michelangelo and provides a detailed and sophisticated commentary with extensive bibliographical notes. The exhaustive selection of plates devoted to the paintings of the Sistine Chapel provides an invaluable record of their condition before the recent controversial cleaning, while ten colour plates show some of the paintings in their restored state, offering the works to the reader's eye for close discrimination.

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