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Michelangelo's Last Judgment : the Renaissance response

Auteur : Bernadine Ann Barnes
Éditeur : Berkeley : University of California Press, ©1998.
Collection : California studies in the history of art., Discovery series ;, 5.
Édition/format :   Livre électronique : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
In this lively, original book, illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works.
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Détails

Genre/forme : Electronic books
Criticism, interpretation, etc
Format – détails additionnels : Print version:
Barnes, Bernadine Ann.
Michelangelo's Last Judgment.
Berkeley : University of California Press, ©1998
(DLC) 97000082
(OCoLC)36284072
Personne nommée : Michelangelo Buonarroti; Michelangelo Buonarroti; Michelangelo.; Michelangelo; Michelangelo Buonarroti
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Bernadine Ann Barnes
ISBN : 9780520917941 0520917944 0585054940 9780585054940
Numéro OCLC : 42855078
Description : 1 online resource (xix, 171 pages) : illustrations (some color).
Contenu : 1. The Spectator's Place in Italian Last Judgments --
2. Aura and Audience in the Sistine Chapel --
3. The Last Judgment and the Critics --
4. Metaphorical Painting: Michelangelo, Dante, and the Last Judgment --
Epilogue: Continuity and Criticism in the Later Sixteenth Century.
Titre de collection : California studies in the history of art., Discovery series ;, 5.
Responsabilité : Bernadine Barnes.

Résumé :

In this lively, original book, illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works.

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